{"id":10229,"date":"2019-10-23T09:18:05","date_gmt":"2019-10-23T06:18:05","guid":{"rendered":"https:\/\/mnlr.ro\/?p=10229"},"modified":"2019-10-24T11:21:53","modified_gmt":"2019-10-24T08:21:53","slug":"dialog-si-lectura-publica-dialog-cu-mihaela-dragan-rezidenta-a-royal-court-theatre-2019","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/dialog-si-lectura-publica-dialog-cu-mihaela-dragan-rezidenta-a-royal-court-theatre-2019\/","title":{"rendered":"Dialog \u0219i lectur\u0103 public\u0103 | Dialog cu Mihaela Dr\u0103gan, rezident\u0103 a Royal Court Theatre 2019"},"content":{"rendered":"

\u00cen 2019, la invita\u021bia British Council, Muzeul Na\u021bional al Literaturii Rom\u00e2ne a devenit partener al Reziden\u021bei\u00a0Royal Court Theatre\u00a0<\/em>– Residency for Emerging Playwrights: 2019 Focus Europe, sus\u021bin\u00e2nd participarea actri\u021bei Mihaela Dr\u0103gan, selectat\u0103 pentru a reprezenta Rom\u00e2nia \u00een cadrul acestei reziden\u021be de dramaturgie. Miercuri, 30 octombrie 2019, \u00eencep\u00e2nd cu ora 19.00, v\u0103 invit\u0103m \u00een Mansarda MNLR (Str. Nicolae Cre\u021bulescu 8) la un dialog inedit despre prezen\u021ba Mihaelei Dr\u0103gan la aceast\u0103 reziden\u021b\u0103, moderat de lect. univ. dr. Diana Benea. Dialogul va fi urmat de lectura a dou\u0103 fragmente din piesa autoarei, scris\u0103 \u00een timpul reziden\u021bei, cu participarea actri\u021belor rome Zita Moldovan, Oana Rusu \u0219i Nicoleta Ghi\u021b\u0103. Piesa integral\u0103 va fi montat\u0103 la Teatrul \u201eAndrei Mure\u0219anu\u201d din Sf\u00e2ntu-Gheorghe, \u00een co-produc\u021bie cu Giuvlipen, premiera urm\u00e2nd a avea loc \u00een data de 15 decembrie 2019.<\/strong><\/p>\n

Reziden\u021ba de var\u0103 organizat\u0103 de\u00a0Royal Court Theatre<\/em>\u00a0\u00een 2019 a fost adresat\u0103 scriitorilor din Europa \u0219i, \u00een mod special, scriitorilor provenind din cele 27 de \u021b\u0103ri membre ale Uniunii Europene. Organizat\u0103 \u00eentr-un moment al marilor schimb\u0103ri \u0219i \u00eentr-o perioad\u0103 \u00een care ne afl\u0103m sub semnul incertitudinii cu privire la raportul dintre Marea Britanie \u0219i Europa, reziden\u021ba \u0219i-a propus conectarea cu o nou\u0103 genera\u021bie de arti\u0219ti de pe \u00eentregul continent, av\u00e2nd ca scop transmiterea pozi\u021biei\u00a0Royal Court Theatre\u00a0<\/em>\u00een acest context, prin care \u00ee\u0219i propune s\u0103 p\u0103streze \u0219i s\u0103 continue parteneriatele interna\u021bionale deja stabilite de-a lungul anilor. Reziden\u021ba a constat \u00eentr-un program de trei s\u0103pt\u0103m\u00e2ni, timp \u00een care scriitorii selecta\u021bi au fost invita\u021bi la\u00a0Royal Court Theatre<\/em>\u00a0pentru a \u00eent\u00e2lni scriitori britanici, pentru a participa la ateliere, pentru a participa la spectacole de teatru \u0219i pentru a discuta despre acestea \u0219i, nu \u00een ultimul r\u00e2nd, pentru a elabora un nou proiect dramaturgic \u00een timpul petrecut la Londra. Anul acesta reziden\u021ba s-a desf\u0103\u0219urat \u00een lunile iunie \u0219i iulie, iar arti\u0219tii au fost selecta\u021bi \u00een urma unui apel deschis. Participan\u021bii reziden\u021bei din acest au fost Almudena Ram\u00edrez-Pantanella (Spania), Anna Nygren (Suedia), Dino Pe\u0161ut (Croa\u021bia), Enis Maci (Germania\/Marea Britanie), L\u00e9onie Casthel (Fran\u021ba), Maryam Zaree (Germania), Mihaela Dr\u0103gan (Rom\u00e2nia), Pier Lorenzo Pisano (Italia), Teresa Dopler (Austria).<\/p>\n

Atunci c\u00e2nd vorbim despre identitatea rom\u0103, ne sim\u021bim obliga\u021bi \u0219i obligate s\u0103 ne referim la istoria dureroas\u0103 \u0219i opresiv\u0103. Romii sunt \u00eentotdeauna v\u0103zu\u021bi ca victime, ca oameni \u201etradi\u021bionali\u201d neconecta\u021bi la tehnologie sau \u0219tiin\u021b\u0103. Exist\u0103 prea pu\u021bine reprezent\u0103ri ale romilor ca fiind oameni moderni sau progresivi, explor\u00e2nd spa\u021bii, utiliz\u00e2nd tehnologia, sau portretiz\u0103ri care \u00eei arat\u0103 ca oameni de \u0219tiin\u021b\u0103. Condi\u021bia de victim\u0103 istoric\u0103 reprezint\u0103 o mare parte a identit\u0103\u021bii rome dar cum ne-am putea imagina \u00een viitorul ultra-tehnologic \u0219i care ar fi locul romilor \u00een acest viitor? Bazat\u0103 pe o cercetare pe care am realizat-o \u00een 2018, \u201dRoma Futurism\u201d, \u00een Hong Kong la Centrul de art\u0103 ParaSite, \u00een aceast\u0103 pies\u0103 mi-am propus s\u0103 creez o nara\u021biune prin care reimaginez romii ca inventatori ai tehnologiei ultra-avansate. Pentru c\u0103 romii \u00eentotdeauna au fost percepu\u021bi ca p\u0103str\u0103tori ai unei cunoa\u0219teri antice, am\u00a0 \u00eencercat s\u0103 creez o continuare a producerii cunoa\u0219terii progresive \u0219i \u0219tiin\u021bifice prin imaginarea spa\u021biului \u0219i a unui viitor apropiat utopic \u00een care o societate secret\u0103 de vr\u0103jitoare de\u021bine controlul asupra tehnologiei.<\/em>\u00a0(Mihaela Dr\u0103gan, 2019)<\/p>\n

Mihaela DR\u0102<\/strong>GAN<\/strong>\u00a0este actri\u021b\u0103 \u0219i dramaturg\u0103 care lucreaz\u0103 \u00een Bucure\u0219ti \u0219i \u00een Berlin. \u00cen anul 2014 co-\u00eenfiin\u021beaz\u0103 Giuvlipen \u00een Bucure\u0219ti \u2013 \u201eun teatru revolu\u021bionar\u201d conform agen\u021biei de pres\u0103 Reuters, un fenomen cultural pe scena local\u0103. Spectacolele Giuvlipen au o agend\u0103 feminist\u0103 \u0219i antirasist\u0103 cu scopul de a promova un discurs critic la nivelul societ\u0103\u021bii \u00een care tr\u0103im. Anul 2017 \u00eei aduce Mihaelei Dr\u0103gan o nominalizare la Premiul Interna\u021bional de Teatru Gilder\/Coigney din New York care recunoa\u0219te munca excep\u021bional\u0103 a 20 de artiste din toat\u0103 lumea. Mihaela este una dintre cele \u0219ase finaliste \u0219i cea mai t\u00e2n\u0103r\u0103 artist\u0103 nominalizat\u0103 la acest premiu. Un an mai t\u00e2rziu, \u0219i cariera sa de dramaturg prime\u0219te o recunoa\u0219tere, reprezent\u00e2nd din nou Rom\u00e2nia la New York, la Festivalul Interna\u021bional PEN World Voices 2018 ca una dintre cei zece cei mai respecta\u021bi dramaturgi contemporani ai lumii. Tot \u00een anul 2018, este una dintre arti\u0219tii \u00een reziden\u021b\u0103 la ParaSite Hong Kong, unde pune bazele unei noi mi\u0219c\u0103ri artistice-\u00a0Roma Futurism,\u00a0<\/em>o estetic\u0103 cultural\u0103 care exploreaz\u0103 elemente de science fiction \u00een cultura rom\u0103, pun\u00e2nd la intersec\u021bie cultura \u0219i istoria rom\u0103 cu vr\u0103jitoria \u0219i tehnologia avansat\u0103 a viitorului. \u00cen 2019 este parte din programul de reziden\u021be International Residency for Emerging Playwrights: 2019 Focus Europe, la prestigiosul Royal Court Theatre din Londra. De-a lungul timpului, Mihaela a lucrat \u0219i ca trainer pentru\u00a0Teatrul Oprima\u021bilor\u00a0<\/em>\u00een comunit\u0103\u021bile rome marginalizate din Rom\u00e2nia \u0219i a \u021binut diverse speech-uri pentru drepturile romilor la evenimente ca TEDxEroilor sau Creative Mornings.<\/p>\n

Proiect organizat de Royal Court Theatre, \u00een parteneriat cu British Council Rom\u00e2nia \u0219i Muzeul Na\u021bional al Literaturii Rom\u00e2ne (parteneri rom\u00e2ni ai proiectului).<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

\u00cen 2019, la invita\u021bia British Council, Muzeul Na\u021bional al Literaturii Rom\u00e2ne a devenit partener al Reziden\u021bei\u00a0Royal Court Theatre\u00a0– Residency for…<\/p>","protected":false},"author":8,"featured_media":10230,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-10229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dezbateri-culturale"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/10229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=10229"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/10229\/revisions"}],"predecessor-version":[{"id":10231,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/10229\/revisions\/10231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/10230"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=10229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=10229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=10229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}