{"id":11128,"date":"2020-01-28T16:00:25","date_gmt":"2020-01-28T14:00:25","guid":{"rendered":"https:\/\/mnlr.ro\/?p=11128"},"modified":"2020-01-28T16:00:25","modified_gmt":"2020-01-28T14:00:25","slug":"observator-lyceum-la-mnlr-intilnire-cu-mircea-cartarescu-intalniri-cu-scriitori","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/observator-lyceum-la-mnlr-intilnire-cu-mircea-cartarescu-intalniri-cu-scriitori\/","title":{"rendered":"Observator Lyceum la MNLR: \u00eent\u00eelnire cu Mircea C\u0103rt\u0103rescu | \u00cent\u00e2lniri cu scriitori"},"content":{"rendered":"<p>Revista\u00a0<em>Observator cultural<\/em>\u00a0reia seria de edi\u021bii\u00a0<em>Observator Lyceum<\/em>\u00a0\u00een 2020 cu o \u00eent\u00eelnire cu\u00a0<strong>Mircea C\u0103rt\u0103rescu\u00a0<\/strong>(laureat, \u00een 2016, al Premiului\u00a0<em>Observator cultural<\/em>\u00a0pentru proz\u0103, pentru romanul\u00a0<em>Solenoid<\/em>, Editura Humanitas), \u00een cadrul c\u0103reia liceenii bucure\u015fteni vor avea ocazia s\u0103 discute cu autorul despre cea mai recent\u0103 carte a sa,\u00a0<strong><em>Melancolia<\/em><\/strong>\u00a0(Editura Humanitas, 2019). Evenimentul va avea loc\u00a0<strong>vineri, 31 ianuarie<\/strong>, de la\u00a0<strong>ora 18.30<\/strong>, la\u00a0<strong>THE NATIONAL MUSEUM OF ROMANIAN LITERATURE<\/strong>\u00a0(strada Nicolae Cre\u021bulescu nr. 8, Bucure\u0219ti), iar intrarea este liber\u0103.<\/p>\n<p>La eveniment \u2013 organizat de revista\u00a0<em>Observator cultural<\/em>\u00a0\u0219i sus\u021binut de Muzeul Na\u021bional al Literaturii Rom\u00e2ne \u2013 particip\u0103 elevi de la licee din Bucure\u0219ti, unii dintre ei membri ai juriului care acord\u0103 Premiul\u00a0<em>Observator Lyceum<\/em>\u00a0pentru proz\u0103, ini\u021biat \u00een 2016 \u0219i decernat anual, \u00een cadrul Galei Premiilor\u00a0<em>Observator cultural<\/em>.<\/p>\n<p><strong>Mircea C\u0103rt\u0103rescu<\/strong>\u00a0s-a n\u0103scut pe 1 iunie 1956, \u00een Bucure\u015fti. A absolvit Facultatea de Limba \u015fi Literatura Rom\u00e2n\u0103 a Universit\u0103\u0163ii din Bucure\u015fti \u00een 1980. \u00cen prezent este profesor dr. \u00een cadrul Facult\u0103\u0163ii de Litere a Universit\u0103\u0163ii din Bucure\u015fti. Este poet, prozator, eseist, critic literar \u015fi publicist. A publicat urm\u0103toarele volume:\u00a0<em>Faruri, vitrine, fotografii<\/em>, poeme, Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 1980;\u00a0<em>Poeme de amor<\/em>, Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 1982;\u00a0<em>Totul<\/em>, poeme, Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 1984;\u00a0<em>Visul<\/em>\u00a0(\u00een edi\u0163iile urm\u0103toare\u00a0<em>Nostalgia<\/em>), povestiri, Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 1989; Humanitas, Bucure\u015fti, 1993;\u00a0<em>Levantul<\/em>, poem epic, Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 1990; Humanitas, Bucure\u015fti, 1998;\u00a0<em>Visul chimeric<\/em>, studiu critic, Litera, Bucure\u015fti, 1991; Humanitas, Bucure\u015fti, 2011;\u00a0<em>Travesti<\/em>, roman, Humanitas, Bucure\u015fti, 1994; a devenit roman grafic \u00een limba francez\u0103;\u00a0<em>Dragostea<\/em>, poeme, Humanitas, Bucure\u015fti, 1994;\u00a0<em>Orbitor. Aripa st\u00e2ng\u0103<\/em>, roman, Humanitas, Bucure\u015fti, 1996;\u00a0<em>Dublu CD<\/em>, poeme, Humanitas, Bucure\u015fti, 1998;\u00a0<em>Postmodernismul rom\u00e2nesc<\/em>, studiu critic, Humanitas, Bucure\u015fti, 1999;\u00a0<em>Jurnal I<\/em>, Humanitas, Bucure\u015fti, 2001;\u00a0<em>Orbitor. Corpul<\/em>, roman, Humanitas, Bucure\u015fti, 2002;\u00a0<em>Enciclopedia zmeilor<\/em>, carte pentru copii, Humanitas, Bucure\u015fti, 2002;\u00a0<em>Pururi t\u00e2n\u0103r, \u00eenf\u0103\u015furat \u00een pixeli<\/em>, publicistic\u0103, Humanitas, Bucure\u015fti, 2003;\u00a0<em>Parfumul aspru al fic\u0163iunii<\/em>, audiobook, Humanitas, Bucure\u015fti, 2003;\u00a0<em>Plurivers<\/em>\u00a0vol. I \u015fi II, poeme, Humanitas, Bucure\u015fti, 2003;\u00a0<em>Cincizeci de sonete<\/em>, poeme, Brumar, Timi\u015foara, 2003;\u00a0<em>De ce iubim femeile<\/em>, povestiri \u015fi audiobook, Humanitas, Bucure\u015fti, 2004;\u00a0<em>Baroane!<\/em>, Humanitas, Bucure\u015fti, 2005;\u00a0<em>Jurnal II<\/em>, Humanitas, Bucure\u015fti, 2005;\u00a0<em>Orbitor. Aripa dreapt\u0103<\/em>, roman, Humanitas, Bucure\u015fti, 2007;\u00a0<em>Dublu album<\/em>, Humanitas, Bucure\u015fti, 2009;\u00a0<em>Nimic<\/em>, Humanitas, Bucure\u015fti, 2010;\u00a0<em>Frumoasele str\u0103ine<\/em>, povestiri, Humanitas, Bucure\u015fti, 2010;\u00a0<em>Zen. Jurnal 2004\u20132010<\/em>, Humanitas, Bucure\u015fti, 2011;\u00a0<em>Ochiul c\u0103prui al dragostei noastre<\/em>, publicistic\u0103 \u015fi proz\u0103, Humanitas, Bucure\u015fti, 2012;\u00a0<em>Fata de la marginea vie\u0163ii<\/em>, povestiri alese, Humanitas, Bucure\u015fti, 2014;\u00a0<em>Poezia<\/em>, Humanitas, Bucure\u015fti, 2015;\u00a0<em>Solenoid<\/em>, roman, Humanitas, Bucure\u015fti, 2015;\u00a0<em>Peisaj dup\u0103 isterie<\/em>, Humanitas, 2017;\u00a0<em>\u0218tiutorii. Trei povestiri din Orbitor<\/em>, Humanitas, Bucure\u015fti, 2017;\u00a0<em>Un om care scrie. Junal 2011\u20132017<\/em>, Humanitas, Bucure\u015fti, 2018;\u00a0<em>Melancolia<\/em>, Humanitas, Bucure\u015fti, 2019. Traduceri \u00een englez\u0103, german\u0103, italian\u0103, francez\u0103, suedez\u0103, spaniol\u0103, olandez\u0103, polon\u0103, portughez\u0103, maghiar\u0103, ivrit, norvegian\u0103, bulgar\u0103, sloven\u0103, danez\u0103, basc\u0103, rus\u0103, greac\u0103, turc\u0103, croat\u0103, s\u00eerb\u0103, catalan\u0103.<br \/>\nC\u0103r\u0163ile sale au fost premiate de Academia Rom\u00e2n\u0103, Uniunea Scriitorilor din Rom\u00e2nia \u015fi din Republica Moldova, Ministerul Culturii, ASPRO, Asocia\u0163ia Scriitorilor din Bucure\u015fti, Asocia\u0163ia Editorilor din Rom\u00e2nia. Romanul\u00a0<em>Nostalgia<\/em>\u00a0a primit \u00een 2005 Premiul literar \u201eGiuseppe Acerbi\u201c, Castel Goffredo, Italia. De asemenea, autorul a primit Premiul Interna\u0163ional pentru Literatur\u0103 de la Vileni\u010da (2011), Premiul Interna\u0163ional pentru Literatur\u0103 \u201eHaus der Kulturen der Welt\u201c, Berlin (2012), Premiul interna\u0163ional pentru literatur\u0103, Berlin (2012), Premiul Spycher \u2013 Literaturpreis Leuk, Elve\u0163ia (2013), Marele Premiu al Festivalului Interna\u0163ional de Poezie de la Novi Sad (2013), Premiul Tormenta en un vaso, Spania (2014), Premiul Euskadi de Plata, San Sebastian (2014), Premiul c\u0103r\u0163ii pentru \u00een\u0163elegere european\u0103 al ora\u015fului Leipzig (2015); Premiul de Stat al Austriei pentru literatur\u0103 european\u0103, 2015, Premiul Leteo, Spania (2017), Premio Formentor de las Letras (2018).<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>\u201e<em>Melancolia<\/em>\u00a0nu e o culegere de proze scurte, ci o carte bine legat\u0103. \u00cen primul r\u00eend, exist\u0103 o continuitate tematic\u0103 \u0219i o unitate stilistic\u0103. \u00cen prima povestire,\u00a0<em>Pun\u021bile<\/em>, un copil se g\u0103se\u0219te singur, mama lui nu se mai \u00eentoarce de la cump\u0103r\u0103turi. O va reg\u0103si mai \u00eent\u00eei sub forma unui cadavru uria\u0219 din ciocolat\u0103, prin care c\u0103l\u0103tore\u0219te \u0219i \u00een p\u00eentecul c\u0103ruia se odihne\u0219te, apoi \u00een somn. \u00cen al doilea text,\u00a0<em>Vulpile<\/em>, e vorba de pierderea celuilalt, a fratelui care e parte din identitatea ta, completare a \u00eentregului care po\u021bi \u0219i trebuie s\u0103 fii (exist\u0103 o obsesie a integrit\u0103\u021bii existen\u021biale, a androginului): Marcel \u00ee\u0219i pierde sora, \u00eentr-un joc de-a vulpile care amestec\u0103 planurile \u0219i mut\u0103 \u00een concret conven\u021bia ludic\u0103. E, poate, textul cel mai intens, cel mai tulbur\u0103tor, \u00een orice caz, cel mai tensionat. Ultima povestire,\u00a0<em>Pieile<\/em>, e un fel de parabol\u0103 a crizei adolescen\u021bei, c\u00eend are loc trauma descoperirii sexualit\u0103\u021bii: Ivan asist\u0103 concret la metamorfoza Dorei, care, dintr-o feti\u021b\u0103 naiv\u0103, iese din crisalid\u0103 \u0219i devine o femeie splendid\u0103. Toate personajele s\u00eent complet singure, ap\u0103sate de melancolie, dar euforizate de permanenta descoperire a posibilit\u0103\u021bilor nesf\u00eer\u0219ite de regenerare a realit\u0103\u021bii. Motive, teme circul\u0103 sistematic dintr-un text \u00een altul, \u00eentr-o \u021bes\u0103tur\u0103 stilistic\u0103 \u0219i simbolic\u0103 foarte coerent\u0103.\u201c (Bogdan Cre\u021bu, \u201eCel mai iubit dintre c\u0103rt\u0103rescieni\u201c,\u00a0<em>Observator cultural,<\/em>\u00a0nr. 978)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>\u201e<em>Melancolia<\/em>\u00a0dore\u0219te s\u0103 marcheze o v\u00eerst\u0103 de maturitate \u00een opera lui C\u0103rt\u0103rescu. \u0218i, poate mai bizar dec\u00eet orice, o perioad\u0103, ai zice, minimalist\u0103 \u00een compara\u021bie cu universul expansiv al\u00a0<em>Levantului<\/em>. C\u0103rt\u0103rescianism esen\u021bializat, lumi \u00eenchise, solipsism extrem, aspect alegoric, aten\u021bia pentru simbolistic\u0103 (\u201ePun\u021bile\u201c, \u201eVulpile\u201c, \u201ePieile\u201c s\u00eent, de fapt, simboluri) \u2013 iat\u0103 noua configura\u021bie propus\u0103 de C\u0103rt\u0103rescu. Cu toate acestea, s\u00eent de p\u0103rere c\u0103 noutatea nu vine de la un \u201eceva\u201c fundamental inedit, ci de la o alt\u0103 por\u021bionare \u0219i rela\u021bionare a celor trei componente principale din opera c\u0103rt\u0103rescian\u0103: biografismul, textualismul \u0219i \u2013 ceea ce consider eu c\u0103 e o dimensiunea specific\u0103 a prozei sale, cea care a dat efectul de profunzime experimentelor literare de p\u00een\u0103 acum \u2013 ezotericul, cu ramifica\u021bii c\u0103tre psihanalitic, oniric \u0219i mistic.\u201c (Mihnea B\u00e2lici, \u201eEpurarea c\u0103rt\u0103rescianismului\u201c,<em>\u00a0<wbr \/>Observator cultural<\/em>\u00a0nr. 978)<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>\u201e<em>Melancolia<\/em>\u00a0ne propune, \u00een mod esen\u0163ial, o\u00a0<em>proz\u0103 de atmosfer\u0103<\/em>, o proz\u0103 vizual\u0103, poetic\u0103 \u015fi estetizant\u0103, \u00een cadrele romantice, onirice \u015fi metafizice cu care ne-a obi\u015fnuit Mircea C\u0103rt\u0103rescu. O proz\u0103 de-a dreptul narcotic\u0103, \u00een ritmul ei lent \u015fi repetitiv. Atins de singur\u0103tate, protagonistul (alter ego-ul c\u0103rt\u0103rescian) se situeaz\u0103, de fiecare dat\u0103, la limit\u0103, \u00eentre via\u0163\u0103 \u015fi moarte, \u00eentre veghe \u015fi vis, la grani\u0163a dintre real \u015fi fantastic, dintre cotidian \u015fi literatur\u0103 (a se vedea\u00a0<em>Pieile<\/em>, unde protagonistul, un adolescent de 15 ani, \u00eel cite\u015fte, ca un laitmotiv, pe poetul Vasile Singur\u0103tate, cu a c\u0103rui statuie va porni, la final, la bra\u0163, \u00eentr-o c\u0103l\u0103torie livresc\u0103 definitiv\u0103; de notat \u015fi versul romantic \u201eCum ninge soarta?\u201c, s\u0103pat pe soclul statuii, un vers extras probabil din singura carte a misteriosului poet, cu care se \u00eencheie, de altfel, \u015fi a doua povestire din volum,\u00a0<em>Vulpile<\/em>).\u201c (Adina Dini\u021boiu, \u201eMircea C\u0103rt\u0103rescu la v\u00eersta melancoliei\u201c,\u00a0<em>Observator cultural<\/em>\u00a0nr. 978).<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>\u201eS-a scris mult despre experien\u021ba-limit\u0103 descris\u0103 de Beckett \u00een trilogia sa, despre acea experien\u021b\u0103 care l-a scos \u00een afara sinelui,\u00a0<em>Nenumitul\u00a0<\/em>fiind experien\u021ba \u201efiin\u021bei f\u0103r\u0103 fiin\u021bare, care nu poate nici s\u0103 tr\u0103iasc\u0103, nici s\u0103 moar\u0103, nici s\u0103 \u00eenceap\u0103, nici s\u0103 continue, locul gol \u00een care vorbe\u0219te dezn\u0103dejdea unui cuv\u00eent gol\u201c (Blanchot). Ajuns \u00een acela\u0219i punct, Mircea C\u0103rt\u0103rescu nu trece acest prag, ci accept\u0103 acest teritoriu devastat de singur\u0103tate \u0219i melancolie ca o parte esen\u021bial\u0103 a experien\u021bei umane. Pentru autorul\u00a0<em>Melancoliei<\/em>, dispari\u021bia total\u0103 a sensului \u0219i imposibilitatea de a povesti lumea par a fi de neacceptat. Spre deosebire de autorul lui\u00a0<em>Molloy<\/em>, \u00een mijlocul celui mai devastat peisaj, omului lui C\u0103rt\u0103rescu \u00eei r\u0103m\u00eene totu\u0219i posibilitatea de a povesti \u0219i de a construi fascinante peisaje metafizice. Iar aceasta este totu\u0219i o form\u0103 de salvare.\u201c (Cezar Gheorghe, \u201eFade to Black\u201c,\u00a0<em>Observator cultural<\/em>\u00a0nr. 978).<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>Invita\u0163ii edi\u0163iilor anterioare au fost: Octavian Soviany (Premiul\u00a0<em>Observator Lyceum<\/em>, \u00een 2016, pentru romanul\u00a0<em>Moartea lui Siegfried<\/em>, Editura Cartea Rom\u00e2neasc\u0103), sculptorul Mircea Roman (cel care realizeaz\u0103 trofeul\u00a0<em>Observator Lyceum<\/em>), Bogdan-Alexandru St\u0103nescu, Vlad Zografi (c\u00ee\u015ftig\u0103tor al Premiului\u00a0<em>Observator Lyceum\u00a0<\/em>pentru proz\u0103, \u00een 2017, pentru romanul\u00a0<em>Efectele secundare ale vie\u021bii<\/em>, Editura Humanitas), Veronica D. Niculescu, Ana Maria Sandu, R\u0103zvan Petrescu (Premiul pentru Proz\u0103 al revistei\u00a0<em>Observator cultural<\/em>\u00a0pentru volumul\u00a0<em>Mandarina<\/em>, Editura Curtea Veche, 2017), Cristian Fula\u0219 (Premiul pentru Debut al revistei\u00a0<em>Observator cultural<\/em>\u00a02016, pentru romanul\u00a0<em>F\u00ee\u015fii de ru\u015fine<\/em>), Cristina Andrei (Premiul pentru Debut al revistei\u00a0<em>Observator cultural<\/em>, 2015, pentru romanul\u00a0<em>Abonatul nu poate fi contactat<\/em>, Editura Nemira), Gabriela Adame\u0219teanu (laureat\u0103 a mai multor edi\u0163ii ale Premiilor revistei\u00a0<em>Observator cultural<\/em>: proz\u0103, memorialistic\u0103 \u015fi premiul \u201eGheorghe Cr\u0103ciun\u201c pentru\u00a0<em>Opera Omnia<\/em>), Nora Iuga (laureat\u0103 a Premiului \u201eGheorghe Cr\u0103ciun\u201d pentru\u00a0<em>Opera Omnia<\/em>, 2016), Andreea R\u0103suceanu, Ioana Nicolaie, Cristian Teodorescu.<\/p>","protected":false},"excerpt":{"rendered":"<p>Revista\u00a0Observator cultural\u00a0reia seria de edi\u021bii\u00a0Observator Lyceum\u00a0\u00een 2020 cu o \u00eent\u00eelnire cu\u00a0Mircea C\u0103rt\u0103rescu\u00a0(laureat, \u00een 2016, al Premiului\u00a0Observator cultural\u00a0pentru proz\u0103, pentru romanul\u00a0Solenoid,&#8230;<\/p>","protected":false},"author":8,"featured_media":11129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[25,24],"tags":[],"class_list":["post-11128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cluburi-si-cenacluri-literare","category-dezbateri-culturale"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/11128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=11128"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/11128\/revisions"}],"predecessor-version":[{"id":11130,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/11128\/revisions\/11130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/11129"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=11128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=11128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=11128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}