{"id":15098,"date":"2020-11-13T13:16:24","date_gmt":"2020-11-13T11:16:24","guid":{"rendered":"https:\/\/mnlr.ro\/?p=15098"},"modified":"2020-11-21T09:59:20","modified_gmt":"2020-11-21T07:59:20","slug":"expozitia-alexandru-macedonski-1920-2020","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/expozitia-alexandru-macedonski-1920-2020\/","title":{"rendered":"Expozi\u021bia \u201eAlexandru Macedonski 1920 \u2013 2020\u201d"},"content":{"rendered":"<p><strong>Muzeul Na\u021bional al Literaturii Rom\u00e2ne organizeaz\u0103, \u00een perioada 16 noiembrie \u2013 4 decembrie 2020, la sediul din Calea Grivi\u021bei 64-66, Sala \u201ePetru Cre\u021bia\u201d, expozi\u021bia\u00a0<em>Alexandru Macedonski 1920 \u2013 2020<\/em>, prilejuit\u0103 de\u00a0comemorarea a 100 de ani de la trecerea \u00een nefiin\u021b\u0103 a marelui poet, prozator, dramaturg \u0219i publicist, figur\u0103 controversat\u0103, cu o biografie \u00eendelung discutat\u0103. \u00a0<\/strong><\/p>\n<p>Expozi\u021bia con\u021bine manuscrise, piese de mobilier \u0219i obiecte care au apar\u021binut poetului \u0219i familiei sale, iar \u00een sala de expozi\u021bie va fi proiectat\u0103 \u00eenregistrarea ciclului de lieduri pentru dou\u0103 voci \u015fi pian, <em>5 Rondeluri pe versuri de Alexandru Macedonski<\/em>, semnat de compozitoarea Alexandra Cherciu. Compozi\u021bia muzical\u0103 personific\u0103 poetul \u0219i muza, \u00eentr-un dialog cu elanuri romantice despre via\u0163\u0103, dragoste, geniu, suferin\u0163\u0103, moarte \u2013 teme filozofice \u00eenve\u015fm\u00e2ntate \u00een parfumul nemuritoarelor roze, pe care Macedonski \u201ele-a c\u00e2ntat\u201d ca nimeni altul. Premiate de Uniunea Compozitorilor \u0219i Muzicologilor din Rom\u00e2nia, \u00een 2013, aceste piese au fost deseori prezentate \u00een concert, la Muzeul Na\u021bional \u201eGeorge Enescu&#8221;, Biblioteca Metropolitan\u0103, Palatul Su\u0163u, Cit\u00e9 Internationale des Arts din Paris.<\/p>\n<p>Apropiatul lui Macedonski, epigramistul \u0219i poetul Cincinat Pavelescu, a schi\u021bat \u00een <em>Amintiri literare<\/em>, un scurt portret al \u201epersonajului\u201d Macedonski: \u201eSub o frunte larg\u0103 \u0219i orgolioas\u0103 purta pe nasul s\u0103u acvilin ochelari de aur. P\u0103rul rar era desp\u0103r\u021bit \u00een dou\u0103 printr-o c\u0103rare \u00een mijlocul frun\u021bii l\u0103rgite de o calvi\u021bie precoce. \u00cemprejurul urechilor armonioase, p\u0103rul \u00eenvolt era \u00eent\u0103rit cu fierul. Musta\u021ba scurt\u0103 \u0219i deas\u0103 avea v\u00e2rfurile ascu\u021bite \u0219i drepte. \u00centrebuin\u021ba, pentru \u021binuta lor mar\u021bial\u0103, un cosmetic de cear\u0103 neagr\u0103. La g\u00e2t \u00eei flutura o lavalier\u0103 sumbr\u0103, iar jobenul \u00eenalt (de m\u0103tase) era p\u0103l\u0103ria sa de predilec\u021bie. Redingota, cu reveruri de m\u0103tase, butonat\u0103 p\u00e2n\u0103 sus, \u00eei da aer, ca \u0219i lui Duiliu Zamfirescu, de militar \u00eembr\u0103cat civil. Mergea pe strad\u0103 cu picioarele pu\u021bin \u00eencovoiate, leg\u0103n\u00e2ndu-\u0219i capul, cu ochii vii, mari \u0219i vis\u0103tori, absen\u021bi din larma \u0219i mi\u0219carea de stup a Capitalei, \u0219i pierdut \u00eentr-o via\u021b\u0103 l\u0103untric\u0103, ad\u00e2nc\u0103 \u0219i concentrat\u0103.\u201d<\/p>\n<p>\u201eEste limpede c\u0103 Macedonski este un poet special \u00een literatura rom\u00e2n\u0103. El ilustreaz\u0103, \u00eenainte de orice, un mod de a fi poet \u00een lumea rom\u00e2neasc\u0103, din alt\u0103 familie spiritual\u0103 \u0219i moral\u0103 dec\u00e2t Alecsandri \u0219i Eminescu. Este boemul \u00eenfumurat \u0219i estetizant, plin de sine \u0219i, \u00een acela\u0219i timp, vulnerabil, capabil de mari gesturi de generozitate \u0219i, totodat\u0103, nedrept p\u00e2n\u0103 la cruzime. Poezia este, cum au recunoscut to\u021bi, violent inegal\u0103, cu mari c\u0103deri, dar \u0219i cu uria\u0219e izb\u00e2nzi estetice.\u00a0A \u00eencercat, \u00een modul lui g\u0103l\u0103gios \u0219i retoric, s\u0103 \u00eennoiasc\u0103 lirismul rom\u00e2nesc, inclusiv \u00een structurile lui formale, \u0219i a reu\u0219it. Modernitatea rom\u00e2neasc\u0103 \u00eei datoreaz\u0103 mult. \u00cen fond, Macedonski e cel care o preg\u0103te\u0219te \u0219i, \u00eentr-o m\u0103sur\u0103, o ilustreaz\u0103 prin voca\u021bia lui de animator \u0219i, desigur, prin geniul s\u0103u \u2013 at\u00e2t c\u00e2t este \u2013 nestatornic, iritat, inegal \u0219i nu de pu\u021bine ori profund \u0219i sclipitor.\u201d \u2013 Eugen Simion, <em>Dic\u021bionarul general al literaturii rom\u00e2ne<\/em> (M\/O), Editura Muzeul Literaturii Rom\u00e2ne.<\/p>\n<p><strong>Expozi\u0163ia va fi deschis\u0103 pentru public \u00een perioada\u00a016 noiembrie \u2013 4 decembrie 2020, de luni p\u00e2n\u0103 vineri, \u00een intervalul orar 10:00 \u2013 18:00.\u00a0Intrarea este liber\u0103 \u0219i se face \u00een baza unei program\u0103ri la num\u0103rul de telefon 0762 671 698.<\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne organizeaz\u0103, \u00een perioada 16 noiembrie \u2013 4 decembrie 2020, la sediul din Calea Grivi\u021bei 64-66,&#8230;<\/p>","protected":false},"author":8,"featured_media":15147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9,36,8],"tags":[],"class_list":["post-15098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente","category-expozitii","category-recomandari"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=15098"}],"version-history":[{"count":2,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15098\/revisions"}],"predecessor-version":[{"id":15219,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15098\/revisions\/15219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/15147"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=15098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=15098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=15098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}