{"id":15253,"date":"2020-11-24T08:50:55","date_gmt":"2020-11-24T06:50:55","guid":{"rendered":"https:\/\/mnlr.ro\/?page_id=15253"},"modified":"2021-01-27T10:56:53","modified_gmt":"2021-01-27T08:56:53","slug":"alexandru-macedonski-1920-2020","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/alexandru-macedonski-1920-2020\/","title":{"rendered":"Alexandru Macedonski 1920 &#8211; 2020"},"content":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne lanseaz\u0103 ast\u0103zi, 24 noiembrie 2020, cu ocazia \u00eemplinirii a 100 de ani de la dispari\u021bia marelui scriitor simbolist Alexandru Macedonski, expozi\u021bia on-line Alexandru Macedonski 1920 &#8211; 2020 .<\/p>\n<p>Expozi\u021bia con\u021bine manuscrise, piese de mobilier si obiecte care au apar\u021binut poetului \u0219i familiei sale. Dintre acestea amintim cele dou\u0103 scaune p\u0103trate, realizate din lemn de culoare ro\u0219ie, care au f\u0103cut parte din mobilierul de la\u00a0 salonul \u201eLiteratorul\u201d \u0219i care au fost confec\u021bionate dup\u0103 desene f\u0103cute de \u00eensu\u0219i Macedonski, o acuarel\u0103 ce o reprezint\u0103 pe Nina Macedonski, fiica poetului, \u00een timpul Primului R\u0103zboi Mondial, c\u00e2nd era sor\u0103 de caritate la Spitalul Br\u00e2ncovenesc, dar \u0219i o caset\u0103 ce con\u021bine coroni\u021ba de cununie \u0219i o pereche de m\u0103nu\u0219i apar\u021bin\u00e2nd Ninei Macedonski, c\u0103s\u0103torit\u0103 Celarianu.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Expozi\u021bie on-line | Alexandru Macedonski 1920 - 2020\" src=\"https:\/\/player.vimeo.com\/video\/481462680?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>\u00cen cadrul expozitiei este prezent \u0219i ciclul de lieduri pentru dou\u0103 voci \u015fi pian,\u00a05 Rondeluri pe versuri de Alexandru Macedonski, semnat de compozitoarea Alexandra Cherciu. Compozi\u021bia muzical\u0103 personific\u0103 poetul \u0219i muza, \u00eentr-un dialog cu elanuri romantice despre via\u0163\u0103, dragoste, geniu, suferin\u0163\u0103, moarte \u2013 teme filozofice \u00eenve\u015fm\u00e2ntate \u00een parfumul nemuritoarelor roze, pe care Macedonski \u201ele-a c\u00e2ntat\u201d ca nimeni altul.<\/p>\n<p>\u201eEste limpede c\u0103 Macedonski este un poet special \u00een literatura rom\u00e2n\u0103. El ilustreaz\u0103, \u00eenainte de orice, un mod de a fi poet \u00een lumea rom\u00e2neasc\u0103, din alt\u0103 familie spiritual\u0103 \u0219i moral\u0103 dec\u00e2t Alecsandri \u0219i Eminescu. Este boemul \u00eenfumurat \u0219i estetizant, plin de sine \u0219i, \u00een acela\u0219i timp, vulnerabil, capabil de mari gesturi de generozitate \u0219i, totodat\u0103, nedrept p\u00e2n\u0103 la cruzime. Poezia este, cum au recunoscut to\u021bi, violent inegal\u0103, cu mari c\u0103deri, dar \u0219i cu uria\u0219e izb\u00e2nzi estetice.\u00a0A \u00eencercat, \u00een modul lui g\u0103l\u0103gios \u0219i retoric, s\u0103 \u00eennoiasc\u0103 lirismul rom\u00e2nesc, inclusiv \u00een structurile lui formale, \u0219i a reu\u0219it. Modernitatea rom\u00e2neasc\u0103 \u00eei datoreaz\u0103 mult. \u00cen fond, Macedonski e cel care o preg\u0103te\u0219te \u0219i, \u00eentr-o m\u0103sur\u0103, o ilustreaz\u0103 prin voca\u021bia lui de animator \u0219i, desigur, prin geniul s\u0103u \u2013 at\u00e2t c\u00e2t este \u2013 nestatornic, iritat, inegal \u0219i nu de pu\u021bine ori profund \u0219i sclipitor.\u201d \u2013 Eugen Simion, Dic\u021bionarul general al literaturii rom\u00e2ne (M\/O), Editura Muzeul Literaturii Rom\u00e2ne.<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne lanseaz\u0103 ast\u0103zi, 24 noiembrie 2020, cu ocazia \u00eemplinirii a 100 de ani de la dispari\u021bia&#8230;<\/p>","protected":false},"author":8,"featured_media":15147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=15253"}],"version-history":[{"count":2,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15253\/revisions"}],"predecessor-version":[{"id":15257,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/15253\/revisions\/15257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/15147"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=15253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=15253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=15253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}