{"id":16838,"date":"2021-03-10T21:00:34","date_gmt":"2021-03-10T19:00:34","guid":{"rendered":"https:\/\/mnlr.ro\/?p=16838"},"modified":"2021-03-10T21:23:06","modified_gmt":"2021-03-10T19:23:06","slug":"mozaic-scriitoricesc-in-po-stari-sufletesti-11","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/mozaic-scriitoricesc-in-po-stari-sufletesti-11\/","title":{"rendered":"Mozaic scriitoricesc \u00een po-st\u0103ri suflete\u0219ti #11"},"content":{"rendered":"

\u201eAl\u0103turi de mocirlele uscate\/ Ies pomii to\u021bi cu trunchiurile-n floare\u201d, exclama Nichita St\u0103nescu \u00eentr-unul dintre poemele sale despre prim\u0103var\u0103 \u0219i iubire.<\/span><\/p>\n

Probabil c\u0103 genera\u021bii de-a r\u00e2ndul au sim\u021bit elanul \u0219i forfota dulce a sevei copacilor, t\u0103cerea aceea at\u00e2t de plin\u0103 de nelini\u0219ti, care preveste\u0219te izbucnirea vie\u021bii \u00een prim\u0103var\u0103. \u0218i apoi, pe m\u0103sur\u0103 ce soarele apare mai des \u0219i devine mai cald, izbucne\u0219te culoarea din flori.<\/span><\/p>\n

Aceast\u0103 vitalitate a prim\u0103verii se aseam\u0103n\u0103 for\u021bei cu care glasul lui Anton Pann, din \u201eIstoria poamelor\u201d – \u201ePovestea vorbii\u201d, chintesen\u021ba \u00een\u021belepciunii populare rom\u00e2ne\u0219ti, treze\u0219te la via\u021b\u0103 o \u00eentreag\u0103 natur\u0103 moart\u0103, o cohort\u0103 de legume \u0219i fructe, cu o tehnic\u0103 pictural\u0103, domin\u00e2nd o \u00eentreag\u0103 \u00eemp\u0103r\u0103\u021bie \u2013 metafor\u0103.<\/span><\/p>\n

Pann are, dup\u0103 cum afirma George C\u0103linescu \u00een \u201eIstoria literaturii rom\u00e2ne de la origini p\u00e2n\u0103 \u00een prezent\u201d, \u201eme\u0219te\u0219ugul inefabil al m\u0103sc\u0103rei fine, al mirosurilor lingvistice tari\u201d. Pe r\u00e2nd, pe categorii, se \u00een\u0219ir\u0103 \u00een fa\u021ba ochilor o cohort\u0103 de legume, fructe \u0219i mirodenii, deliciu culinar, dar \u0219i stilistic, culmin\u00e2nd cu descrierea faimoasei cepe:<\/span><\/p>\n

\u201eCum sim\u021bi aceast\u0103 Ceap\u0103, totodat\u0103
\n<\/span>Cum e din natur\u0103 foarte veninat\u0103,
\n<\/span>Se-mbrac\u0103 \u00eendat\u0103, iute, cu m\u00e2nie,
\n<\/span>Dou\u0103spre`ce haine puse pe dimie,
\n<\/span>\u0218i c\u0103m\u0103\u0219i at\u00e2tea albe, sub\u021birele,
\n<\/span>\u00cembr\u0103c\u00e2nd bini\u0219ul ro\u0219u peste ele,
\n<\/span>Piept\u0103n\u0103 \u0219i barba-\u0219i alb\u0103 \u0219i b\u0103tr\u00e2n\u0103,
\n<\/span>Scutur\u00e2nd-o bine de p\u0103m\u00e2nt, \u021b\u0103r\u00e2n\u0103,
\n<\/span>Pleac\u0103 nec\u0103jit\u0103-n toat-a ei putere,
\n<\/span>Venin\u00e2nd v\u0103zduhul de catran \u0219i fiere,
\n<\/span>De p\u0103m\u00e2nt t\u00e2r\u00e2ndu-\u0219i barba sa cea lat\u0103,
\n<\/span>Sus \u00een deal ajunse la cr\u0103iasa-ndat\u0103.\u201d<\/span><\/p>\n

Acela\u0219i efect puternic treze\u0219te \u0219i lumea uman\u0103, portretul v\u0103duvei asem\u0103n\u00e2ndu-se cu cel al cepei, \u00een ceea ce prive\u0219te for\u021ba cu care este redat:
\n<\/span><\/p>\n

\u201eO v\u0103duv\u0103-n v\u00e2rst\u0103, b\u0103tr\u00e2n\u0103, zb\u00e2rcit\u0103,
\n<\/span>Cu doi din\u021bi \u00een gur\u0103, barba ascu\u021bit\u0103,
\n<\/span>Nas c\u00e2t p\u0103tl\u0103geaua, la vorb\u0103-n\u021bepat\u0103,
\n<\/span>Cu ochii ceac\u00e2r\u0103, gura l\u0103b\u0103r\u021bat\u0103,
\n<\/span>Fruntea-i cucuiat\u0103, fa\u021ba mohor\u00e2t\u0103,
\n<\/span>Peste tot negoas\u0103 \u0219i posomor\u00e2t\u0103,
\n<\/span>Umbl\u0103-ntunecat\u0103 \u0219i tot \u00eennorat\u0103,
\n<\/span>Nu o vedea nimeni s\u0103 r\u00e2d\u0103 vreodat\u0103…\u201d<\/span><\/p>\n

Leg\u0103tura celor dou\u0103 portrete, uman \u0219i vegetal, cu prim\u0103vara de afar\u0103 const\u0103 tocmai \u00een aceea c\u0103 aceste dou\u0103 registre sunt redate cu o for\u021b\u0103 extraordinar\u0103 de Anton Pann, \u00eentr-o explozie de imagini artistice, vizuale \u0219i olfactive, \u00een \u201ePovestea vorbii\u201d, \u201eo comedie a cuvintelor pure \u0219i \u00een acela\u0219i timp o comedie uman\u0103 integral\u0103\u201d (G. C\u0103linescu).<\/span><\/p>\n

Echipa de proiect:
\n<\/span>Adrian David, muzeograf Casa Memorial\u0103 \u201eIon Minulescu \u0219i Claudia Millian\u201d \u0219i Casa Memorial\u0103 \u201eLiviu \u0219i Fanny Liviu Rebreanu\u201d
\n<\/span>Dorothea Nicolescu, muzeograf Casa Memorial\u0103 \u201eTudor Arghezi \u2013 M\u0103r\u021bi\u0219or\u201d
\n<\/span>Lelia Spirescu, muzeograf Casa Memorial\u0103 \u201eGeorge \u0219I Agatha Bacovia\u201d
\n<\/span>M\u0103d\u0103lina \u0218chiopu, muzeograf Casa Memorial\u0103 \u201eAnton Pann\u201d
\n<\/span>Andreea Dr\u0103ghicescu, Sectia \u201eCase Memoriale\u201d<\/span><\/p>","protected":false},"excerpt":{"rendered":"

\u201eAl\u0103turi de mocirlele uscate\/ Ies pomii to\u021bi cu trunchiurile-n floare\u201d, exclama Nichita St\u0103nescu \u00eentr-unul dintre poemele sale despre prim\u0103var\u0103 \u0219i…<\/p>","protected":false},"author":8,"featured_media":16839,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[32,9,52,10,8],"tags":[],"class_list":["post-16838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-educatie-muzeala","category-evenimente","category-evenimente-on-line","category-portrete","category-recomandari"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/16838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=16838"}],"version-history":[{"count":2,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/16838\/revisions"}],"predecessor-version":[{"id":16848,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/16838\/revisions\/16848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/16839"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=16838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=16838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=16838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}