{"id":27137,"date":"2023-04-11T10:59:47","date_gmt":"2023-04-11T07:59:47","guid":{"rendered":"https:\/\/mnlr.ro\/?p=27137"},"modified":"2023-04-11T10:59:47","modified_gmt":"2023-04-11T07:59:47","slug":"conferinte-urmuz-intre-cosmogonie-ironica-si-apocalipsa-burlesca-petre-raileanu-si-urmuz-princeps-cosmin-pana","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/conferinte-urmuz-intre-cosmogonie-ironica-si-apocalipsa-burlesca-petre-raileanu-si-urmuz-princeps-cosmin-pana\/","title":{"rendered":"Conferin\u021be \u201eUrmuz \u2013 \u00eentre Cosmogonie ironic\u0103 \u0219i Apocalips\u0103 burlesc\u0103\u201d \u2013 Petre R\u0103ileanu \u0219i \u201eUrmuz princeps\u201d \u2013 Cosmin Pan\u0103"},"content":{"rendered":"

Muzeul Na\u021bional al Literaturii Rom\u00e2ne v\u0103 invit\u0103 luni,<\/strong> 24 aprilie 2023, ora 17.00<\/strong>, la sediul din strada Nicolae Cre\u021bulescu 8, pentru a participa la conferin\u021ba \u201eUrmuz \u2013 \u00eentre Cosmogonie ironic\u0103 \u0219i Apocalips\u0103 burlesc\u0103\u201d, sus\u021binut\u0103 de Petre R\u0103ileanu, \u0219i la conferin\u021ba \u201eUrmuz princeps\u201d, sus\u021binut\u0103 de Cosmin Pan\u0103.<\/p>\n

Despre Urmuz, Petre R\u0103ileanu noteaz\u0103: \u201eeste un precursor al avangardelor din Rom\u00e2nia, cel mai spectaculos, dar \u0219i cel mai misterios. At\u00e2t opera, care con\u021bine doar c\u00e2teva zeci de pagini, dar \u0219i biografia acestui \u00abpersonaj\u00bb au suscitat admira\u021bia mediilor avangardiste. Via\u021ba lui Urmuz s-a petrecut totu\u0219i \u00eentr-un perfect anonimat. Modest func\u021bionar de provincie, apoi grefier la Curtea de Casa\u021bie din Bucure\u0219ti, la patruzeci de ani s-a sinucis cu un glonte de pistol f\u0103r\u0103 alt motiv aparent dec\u00e2t, poate, angoasa. Imit\u00e2nd discursul logic \u0219i sintaxa normal\u0103, Urmuz plonjeaz\u0103 \u00een absurd \u0219i compune o parodie a literaturii. \u00cempreun\u0103, scrierile lui constituie o utopie negativ\u0103 a limbajului.<\/p>\n

Pe cele dou\u0103 versante ale sale, literatura rom\u00e2n\u0103 ne apare, pe de o parte grav\u0103, o c\u0103utare de absolut \u0219i de gra\u021bie, \u00een timp ce pe cel\u0103lalt versant, ea este impregnat\u0103 de absurd, de deriziune, de deconstruc\u021bie \u0219i de tragi-comic. Comb\u0103t\u00e2nd r\u0103ul cu caricatura lui, Urmuz, dup\u0103 intrarea spectaculoas\u0103 \u00een literatura rom\u00e2n\u0103, cu exact un secol \u00een urm\u0103, a fost clasat preponderent pe acest al doilea versant, \u00een timp ce opera lui, fie ea redus\u0103 cantitativ precum \u0219tim, ilustreaz\u0103 \u00een ansamblul ei ambele tendin\u021be. \u00centre o cosmogonie abia schi\u021bat\u0103 \u00een Pu\u021bin\u0103 metafizic\u0103 \u0219i astronomie<\/em>, din care procede un univers \u00abf\u0103r\u0103 rost \u0219i necesitate\u00bb, \u0219i apocalipsa burlesc\u0103 din Algazy & Grummer<\/em> soldat\u0103, dup\u0103 lupta homeric\u0103 dintre cei doi protagoni\u0219ti, cu trimiterea \u00abf\u0103r\u0103 la gunoi\u00bb a \u00eentregii literaturi, se deruleaz\u0103 celelalte nara\u021biuni \u00een care realitatea imediat\u0103 \u0219i aluziile mitologice sunt constant \u0219i permanent amalgamate.\u201d<\/p>\n

Petre R\u0103ileanu<\/strong> (n. 13 aprilie 1951, Br\u0103ila) a lucrat ca redactor al sec\u021biei de beletristic\u0103 de la Editura Militar\u0103 din Bucure\u0219ti dup\u0103 absolvirea facult\u0103\u021bii. S-a stabilit \u00een anul 1992 \u00een Fran\u021ba. Tr\u0103ie\u0219te la Paris \u0219i scrie \u00een limbile francez\u0103 \u0219i rom\u00e2n\u0103. Absolvind studii de masterat la Universitatea \u201eSorbonne Nouvelle\u201d, Paris III (1993), lucreaz\u0103 ca redactor la Radio France Internationale. S-a specializat \u00een literatura de avangard\u0103, public\u00e2nd c\u00e2teva volume de critic\u0103 \u0219i istorie literar\u0103 \u00een limba francez\u0103 despre Gherasim Luca, Benjamin Fundoianu \u0219i Tristan Tzara \u0219i colabor\u00e2nd la volumul \u201eLe surr\u00e9alisme et l\u2019amour\u201d (1997).<\/p>\n

Din opera sa:<\/em>\u00a0\u201eCorabia lui Ghilgame\u015f\u201d, Bucure\u015fti, 1990; \u201eLa Dialectique demoniaque. Le Parcours roumain de Gherasim Luca\u201d, Paris, 1995; \u201eLe Surrealisme et l\u2019amour\u201d (\u00een colaborare), Paris, 1997; \u201eFin de siecle: un nou \u00eenceput\u201d, Bucure\u015fti, 1999; \u201eTzara et l\u2019Internationale du surrealisme\u201d (\u00een colaborare), Paris, 2000; \u201eGherasim Luca\u201d, Paris, 2003; \u201eEuropa, mon amour\u201d, Bucure\u015fti, 2003, \u201eGherasim Luca, monographie\u201d, \u00c9ditions Oxus, Paris, 2004; \u201eDada \u00een direct, urmat de Tristan Tzara, schi\u021b\u0103 de portret\u201d, Tracus Arte, Bucure\u0219ti, 2016. \u00ab\u00a0Gherasim Luca Poezie Ontofonie urmat de Gherasim Luca este o femeie\u00a0\u00bb, Tracus Arte, Bucure\u0219ti, 2019.\u00a0Edi\u0163ii, antologii:<\/em>\u00a0\u201eL\u2019Avant-garde roumaine\u201d, Bucure\u015fti, 1996; \u201eIubite Fondane\u2026\u201d (scrisori inedite), Bucure\u015fti, 1998 (\u00een colaborare cu Michel Carassou); \u201eFundoianu \/ Fondane et l\u2019avant-garde\u201d, Paris, 1999 (\u00een colaborare cu Michel Carassou); Ion Ra\u0163iu, Note zilnice, 7 volume, 1999-2007.\u00a0Traduceri:<\/em>\u00a0\u201eJacques Herold, Maltraite de peinture\u201d, Bucure\u015fti, 2001.<\/p>\n

*<\/p>\n

Cosmin Pan\u0103: \u201ePrima edi\u021bie complet\u0103 a pu\u021binelor scrieri urmuziene apare la Editura \u201eUnu\u201d \u00een 1930. Sa\u0219a Pan\u0103 este cel care a adunat, c\u00e2t a putut g\u0103si din scrierile lui Urmuz \u0219i a insistat s\u0103 le publice \u00een volum. Dup\u0103 patru decenii reu\u0219e\u0219te s\u0103 publice \u0219i o a doua edi\u021bie. Cu ajutorul jurnalului diurn al editorului se dezv\u0103luie geneza \u2013 deloc u\u0219oar\u0103 \u2013 edi\u021biilor realizate de Sa\u0219a Pan\u0103 \u0219i labirintul pe care acesta l-a navigat pentru a-l vedea tip\u0103rit pe Urmuz.\u201d<\/p>\n

Cosmin Pan\u0103<\/strong> (n. 1982, Bucure\u0219ti) este licen\u021biat \u00een \u0218tiin\u021be Politice la Universitatea din Bucure\u0219ti, publicist, editor. Colaboreaz\u0103 cu diferite reviste, redac\u021bii de pres\u0103 scris\u0103 \u0219i televiziune. \u00cengrijitor al arhivei Sa\u0219a Pan\u0103, colaborator \u00een publica\u021bii \u0219i la evenimente din domeniu, pe teme multiple despre avangard\u0103 \u0219i avangardi\u0219ti \u2013 Urmuz, Victor Brauner, Geo Bogza, M. H. Maxy, revista \u201eunu\u201d etc. . A realizat volume ca \u201eDrag\u0103 Magdalena…,\u00a0 Coresponden\u021ba Geo Bogza \u2013 Madda Holda\u201d (2017), \u201eExasperarea creatoare, Coresponden\u021b\u0103 Geo Bogza \u2013 Sa\u0219a Pan\u0103\u201d (2022) \u0219i a colaborat la apari\u021bia altor studii \u0219i volume, cum ar fi \u201eIlarie Voronca, Jurnalul sinuciderii\u201d (2016).<\/p>","protected":false},"excerpt":{"rendered":"

Muzeul Na\u021bional al Literaturii Rom\u00e2ne v\u0103 invit\u0103 luni, 24 aprilie 2023, ora 17.00, la sediul din strada Nicolae Cre\u021bulescu 8,…<\/p>","protected":false},"author":8,"featured_media":27138,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-27137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=27137"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27137\/revisions"}],"predecessor-version":[{"id":27139,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27137\/revisions\/27139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/27138"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=27137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=27137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=27137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}