{"id":27749,"date":"2023-05-22T15:27:47","date_gmt":"2023-05-22T12:27:47","guid":{"rendered":"https:\/\/mnlr.ro\/?p=27749"},"modified":"2023-05-22T15:27:47","modified_gmt":"2023-05-22T12:27:47","slug":"centenar-ion-caraion","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/centenar-ion-caraion\/","title":{"rendered":"Centenar Ion Caraion"},"content":{"rendered":"

Muzeul Na\u021bional al Literaturii Rom\u00e2ne marcheaz\u0103 centenarul na\u0219terii poetului, eseistului \u0219i traduc\u0103torului Ion Caraion (24 mai 1923 \u2013 21 iulie 1986) printr-un eveniment de tip remember<\/em>, \u00eenso\u021bit de dou\u0103 lans\u0103ri de carte, care va avea loc luni, 29 mai 2023, ora 18.00<\/strong>, \u00een Sala \u201ePerpessicius\u201d din sediul M.N.L.R. (str. Nicolae Cre\u021bulescu nr. 8).<\/p>\n

Particip\u0103: Marta Caraion, Mariana Sipo\u0219, Ioan Cristescu (director general al M.N.L.R.), Paul Cernat, Sorin Ivan<\/p>\n

Moderator: Alexandru Dumitriu<\/p>\n

\u00cen cadrul manifest\u0103rii se va lansa edi\u021bia anastatic\u0103, publicat\u0103 de Editura Muzeul Literaturii Rom\u00e2ne, a volumului de versuri Panopticum<\/em> (1943), cu care a debutat, la 20 de ani, Ion Caraion Titulatura ini\u021bial\u0103 a plachetei fusese, conform m\u0103rturisirii autorului, Circ domestic<\/em>. Tirajul c\u0103r\u021bii a fost confiscat dup\u0103 apari\u021bie, f\u0103r\u0103 a beneficia de difuzare, Panopticum<\/em> fiind, p\u00e2n\u0103 \u00een prezent, o raritate bibliofil\u0103, veritabil document de istorie literar\u0103. Prin aceast\u0103 reeditare, M.N.L.R. recupereaz\u0103 simbolic, dup\u0103 80 de ani, debutul vitreg al unui mare poet.<\/p>\n

Totodat\u0103, va fi lansat volumul Ion Caraion: \u201eDac\u0103 ve\u021bi \u00een\u021belege, dac\u0103 m\u0103car acum ve\u021bi \u00een\u021belege\u201d (Adev\u0103rul despre colaborarea sa cu Securitatea)<\/em> de Mariana Sipo\u0219.<\/p>\n

***<\/p>\n

Apar\u021bin\u00e2nd \u201eGenera\u021biei R\u0103zboiului\u201d, Ion Caraion (pseudonimul lui Stelian Diaconescu) s-a afirmat ca poet prin \u201etripticul\u201d alc\u0103tuit din Panopticum<\/em> (1943), Omul profilat pe cer<\/em> (1945) \u0219i C\u00e2ntece negre<\/em> (1946); \u00een aceea\u0219i perioad\u0103 a lucrat \u00een mai multe redac\u021bii, \u00eentre care cea a revistei Lumea<\/em>, aflate sub conducerea lui G. C\u0103linescu.<\/p>\n

A traversat o lung\u0103 deten\u021bie politic\u0103. Supliciul carceral a \u00eenceput \u00een 1950, cu cinci ani de recluziune, o parte fiind executat\u0103 la minele de plumb din Maramure\u0219. Un instantaneu memorialistic al scriitorului despre calvarul din subteranul de la Baia Sprie: \u201eNe g\u0103seam la sute de metri sub p\u0103m\u00e2nt. Eram \u00een schimb de noapte. Aveam 29 de ani \u0219i 38 de kg. Trebuia s\u0103 livr\u0103m o norm\u0103 irealizabil\u0103 \u2013 fiecare sclav, c\u0103ci sclavi eram, c\u00e2te 4 tone de minereu pe \u0219ut\u201d. (S-a speculat c\u0103 acest episod concentra\u021bionar al lui Ion Caraion ar sta la baza experien\u021bei similare suportate de Victor Petrini, protagonistul trilogiei romane\u0219ti Cel mai iubit dintre p\u0103m\u00e2nteni<\/em> de Marin Preda.) \u00cen 1958, a fost iar\u0103\u0219i arestat. Va fi pus \u00een libertate \u00een 1964. \u201eAvem sentimentul c\u0103 Ion Caraion a tr\u0103it mai mult dec\u00e2t oricare altul destinul genera\u021biei lui\u201d, nota, cu aluziv\u0103 \u00eendrept\u0103\u021bire, criticul literar Eugen Simion \u00een Scriitori rom\u00e2ni de azi, I<\/em> (1974).<\/p>\n

Din 1966 p\u00e2n\u0103 \u00een 1981, c\u00e2nd a p\u0103r\u0103sit Rom\u00e2nia, pentru a se stabili \u00een Elve\u021bia, la Lausanne, unde a r\u0103mas p\u00e2n\u0103 la cap\u0103tul vie\u021bii, Ion Caraion a publicat numeroase volume, cl\u0103dindu-\u0219i, sub spectrul anilor care i-au fost r\u0103pi\u021bi din biografie, o oper\u0103 de anvergur\u0103.<\/p>\n

Dintre c\u0103r\u021bile de poezie, amintim: Eseu<\/em> (1966), Diminea\u021ba nim\u0103nui <\/em>(1967), C\u00e2rti\u021ba \u0219i aproapele<\/em> (1970), Deasupra deasuprelor<\/em> (1970), Cimitirul din stele<\/em> (1971), Mun\u021bii de os<\/em> (1972), Frunzele \u00een<\/em> Galaad<\/em> (1973), Lacrimi perpendiculare<\/em> (1978), Dragostea e pseudonimul mor\u021bii<\/em> (1979, edi\u021bie bilingv\u0103, rom\u00e2no-francez\u0103). Acestora li se adaug\u0103 titluri ap\u0103rute \u00een exil. O sec\u021biune aparte a crea\u021biei sale o reprezint\u0103 eseistica literar\u0103: Duelul cu crinii<\/em> (1972), Enigmatica noble\u021be<\/em> (1974), P\u0103l\u0103rierul silabelor<\/em> (1976) \u0219i mai ales Bacovia. Sf\u00e2r\u0219itul continuu<\/em> (1977, 1979). \u00cen aceea\u0219i categorie se situeaz\u0103, \u00een pofida titlului, Jurnal I. Literatur\u0103 \u0219i contraliteratur\u0103<\/em> (1980), care adun\u0103 \u00eendeosebi comentarii critice r\u0103sp\u00e2ndite \u00een periodice. A scris \u0219i versuri pentru copii: Marta, fata cu pove\u0219ti \u00een palme<\/em> (1974), O ureche de dulcea\u021b\u0103 \u0219i-o ureche de pelin<\/em> (1976, 1981), Lucrurile de diminea\u021b\u0103<\/em> (1978). A desf\u0103\u0219urat \u2013 \u00eenc\u0103 din tinere\u021be \u2013 o prolific\u0103 activitate de traduc\u0103tor. Dintre autorii t\u0103lm\u0103ci\u021bi (singur sau \u00een colaborare): Balzac, Goncearov, Al. Dumas, Antoine de Sainte-Exup\u00e9ry, Edgar Lee Masters, Daniel Defoe, Anna Ahmatova, Ezra Pound , Malcolm Lowry \u0219.a. De asemenea, a \u00eengrijit, tradus \u0219i prefa\u021bat (singur sau \u00een colaborare) urm\u0103toarele volume: Antologie de poezie neerlandez\u0103<\/em> (1973), Antologia poeziei franceze de la Rimbaud p\u00e2n\u0103 azi<\/em> (3 vol., 1974-1976), Poe\u021bi canadieni contemporani<\/em> (1978), Antologia poeziei americane<\/em> (1979).<\/p>","protected":false},"excerpt":{"rendered":"

Muzeul Na\u021bional al Literaturii Rom\u00e2ne marcheaz\u0103 centenarul na\u0219terii poetului, eseistului \u0219i traduc\u0103torului Ion Caraion (24 mai 1923 \u2013 21 iulie…<\/p>","protected":false},"author":13,"featured_media":27750,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-27749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=27749"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27749\/revisions"}],"predecessor-version":[{"id":27751,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/27749\/revisions\/27751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/27750"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=27749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=27749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=27749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}