{"id":36524,"date":"2025-08-06T15:00:59","date_gmt":"2025-08-06T12:00:59","guid":{"rendered":"https:\/\/mnlr.ro\/?p=36524"},"modified":"2025-08-06T15:02:03","modified_gmt":"2025-08-06T12:02:03","slug":"expozitie-gratia-materna","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/expozitie-gratia-materna\/","title":{"rendered":"Expozi\u021bie \u201eGra\u021bia matern\u0103\u201d"},"content":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne v\u0103 invit\u0103 la vernisajul expozi\u021biei de sculptur\u0103, pictur\u0103 \u0219i grafic\u0103 &#8211; <strong><em>Gra\u021bia matern\u0103<\/em><\/strong>, a artistului Doru Dr\u0103gu\u0219in, eveniment care va avea loc joi, <strong>14 august 2025<\/strong>, ora <strong>17.00<\/strong>, la sediul MNLR din Calea Grivi\u021bei 64-66.<\/p>\n<p>Expozi\u021bia va putea fi vizitat\u0103 \u00een perioada 13 august -12 septembrie 2025, de mar\u021bi p\u00e2n\u0103 s\u00e2mb\u0103t\u0103, \u00een intervalul orar 10.00 -18.00.<\/p>\n<p>***<\/p>\n<p>\u00cen \u201eTratatul vizual de Mariologie\u201d, Doru Dr\u0103gu\u0219in multiplic\u0103 tematica arhetipal\u0103 cre\u0219tin-ortodox\u0103, cea care o prefigureaz\u0103 pe <em>Maica lui Dumnezeu<\/em>, \u00een limba greac\u0103\u00a0<em>Theotokos<\/em>, \u00een ipostaze dezl\u0103n\u021buite de canoanele tipologiilor stilistice, cum ar fi cea bizantin\u0103, \u0219i recompune o imagine coerent\u0103 \u00een linie \u0219i exprimare profund\u0103 a tr\u0103irii artistice l\u0103sat\u0103 \u00een slujba eliberatoare a unui <em>flow<\/em> autentic, identitar, cu care sculptorul rom\u00e2n ne-a obi\u0219nuit \u00een primele decade ale secolului XXI.<\/p>\n<p>Imnul smerit \u00eenchinat uneia dintre figurile cele mai importante din <em>Familia Sf\u00e2nt\u0103 \u2013 <\/em>Fecioara Maria, se concentreaz\u0103 asupra portretiz\u0103rii cu m\u00e2ini, ipostaz\u0103 \u00een care Fiul S\u0103u <em>\u2013<\/em> Iisus copil, \u00een cele mai multe dintre cazuri <em>\u2013<\/em> \u00eentrege\u0219te discursul superlativ al maternit\u0103\u021bii \u00een reverbera\u021bii dogmatice \u0219i teosofice.<\/p>\n<p>Acest subiect, devenit pregnant \u00een crea\u021bia sculptorului, ne provoac\u0103 la o ipotez\u0103 cognitiv-emo\u021bional\u0103, \u0219i anume la faptul c\u0103 Doru Dr\u0103gu\u0219in extrapoleaz\u0103 tematica <em>reveren\u021bei <\/em>sub aspect divinologic \u00eentr-o manier\u0103 fulminant\u0103, f\u0103r\u0103 paralelism camaraderesc \u00een arta rom\u00e2neasc\u0103.<\/p>\n<p>Preocupat de surprinderea expresiv\u0103, \u00eentr-o intona\u021bie plastic\u0103 tulbur\u0103toare, a celor dou\u0103 momente marcante ale existen\u021bei Sfintei Fecioare Maria \u00een planul nostru terestru-uman, <em>Na\u0219terea<\/em> \u0219i <em>Adormirea<\/em>, artistul demonstreaz\u0103 o total\u0103 adeziune \u00eentru spirit la spectrul dumnezeirii \u0219i, deopotriv\u0103, la accederea (chiar dac\u0103 idealist\u0103) c\u0103tre virtutea superlativ\u0103 \u2013 cea a sfin\u021beniei.<\/p>\n<p>Cu specifica\u021bia c\u0103 aceast\u0103 mare tain\u0103 <em>\u2013<\/em> <em>Adormirea<\/em> <em>\u2013<\/em> Ridicarea cu trup \u0219i suflet la ceruri a Fecioarei Maria (baza fundamental\u0103 a mariologiei) este situat\u0103 \u00een calendarul ortodox \u00eenaintea celei dint\u00e2i <em>\u2013<\/em> <em>Na\u0219terea<\/em> <em>\u2013<\/em> putem ad\u0103uga c\u0103 tocmai acest aspect al transcendentei \u00eei confer\u0103 sculptorului o stare l\u0103untric\u0103 perpetu\u0103, ca un izvor nesecat revelator de noi impresii trasate concav sau \u00een basorelief despre cum i se dezv\u0103luie <em>frumuse\u021bea<\/em>, transpus\u0103 apoi din imaterial \u00een materia marmurei, a lemnului sau pe h\u00e2rtia de desen.<\/p>\n<p>Modelat direct sau indirect de acela\u0219i p\u0103m\u00e2nt de sorginte rom\u00e2neasc\u0103 precum Br\u00e2ncu\u0219i, Apostu sau Irimescu, Dr\u0103gu\u0219in se aliniaz\u0103 la sensibilitatea extrem\u0103 \u00eent\u00e2lnit\u0103 \u0219i \u00een cazul predecesorilor s\u0103i, c\u00e2nd ne referim la fundamentalul valorii \u00een crea\u021bia artistic\u0103, dar \u0219i la sacralitatea actului artistic \u00een sine. Doru Dr\u0103gu\u0219in a fost marcat deopotriv\u0103 de emularea crea\u021biei sale pe tema angelografic\u0103. Poate una dintre cele mai r\u0103v\u0103\u0219itoare posturi de comuniune plastic\u0103 \u00eentre inspira\u021bie \u0219i realizare a operei. \u00cengerii dr\u0103gu\u0219inieni exalteaz\u0103 \u00een plenitudinea pio\u0219eniei \u0219i provoac\u0103 inima privitorului la o dezarmare instantanee, la o conectare direct\u0103 cu planurile superioare ale existen\u021bei prin z\u0103mislirea unui fior de iubire cople\u0219itoare.<\/p>\n<p>\u00centrebat, \u00een cadrul unui interviu recent, unde se vede situat \u00een contextul artei contemporane? Doru Dr\u0103gu\u0219in a r\u0103spuns, parafraz\u00e2nd pe mentorul artei moderne <em>\u2013<\/em> Picasso <em>\u2013<\/em> c\u0103 las\u0103 aceast\u0103 concluzie \u00een sarcina celor care vor urma, \u0219i, am ad\u0103uga noi, \u00een slujba paginilor Istoriei Artei \u00a0universale care nu omit chintesen\u021ba geniului artistic.<\/p>\n<p>Carmen Emanuela Popa\u00a0 <em>\/<\/em> doctor \u00een arte vizuale \/ critic de art\u0103<\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne v\u0103 invit\u0103 la vernisajul expozi\u021biei de sculptur\u0103, pictur\u0103 \u0219i grafic\u0103 &#8211; Gra\u021bia matern\u0103, a artistului&#8230;<\/p>","protected":false},"author":13,"featured_media":36527,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9,36,65],"tags":[],"class_list":["post-36524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente","category-expozitii","category-expozitii-temporare-mnlr-calea-grivitei-64-66"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/36524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=36524"}],"version-history":[{"count":2,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/36524\/revisions"}],"predecessor-version":[{"id":36526,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/36524\/revisions\/36526"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/36527"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=36524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=36524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=36524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}