{"id":39302,"date":"2026-05-14T12:34:27","date_gmt":"2026-05-14T09:34:27","guid":{"rendered":"https:\/\/mnlr.ro\/?p=39302"},"modified":"2026-05-14T12:34:27","modified_gmt":"2026-05-14T09:34:27","slug":"atelierul-de-creatie-poezie-in-viata-26","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/atelierul-de-creatie-poezie-in-viata-26\/","title":{"rendered":"Atelierul de crea\u021bie Poezie \u00een via\u021b\u0103"},"content":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne organizeaz\u0103<strong> s\u00e2mb\u0103t\u0103,<\/strong> <strong>16 mai 2026<\/strong>, \u00eentre orele <strong>14.00-18.00<\/strong>, la sediul s\u0103u din strada Nicolae Cre\u021bulescu 8, \u00een cadrul Atelierului de crea\u021bie <em>Poezie <\/em><em>\u00een via\u021b\u0103<\/em>, coordonat de Nina Vasile, o \u00eent\u00e2lnire cu <strong>Livia Marinescu<\/strong>, artist\u0103 vizual\u0103, a c\u0103rei practic\u0103 se desf\u0103\u0219oar\u0103 \u00eentre colajul analogic, instala\u021bie \u0219i video.<\/p>\n<p>Arta colajului nu este nou\u0103, totu\u0219i, cei care o practic\u0103 sunt pu\u021bini, nu pentru c\u0103 tehnica \u00een sine ar fi dificil\u0103 dar reu\u0219ita la nivel artistic nu este la \u00eendem\u00e2na oricui. \u00cen cazul Liviei Marinescu (n. Bucure\u0219ti) avem de-a face cu asumarea unei poetici con\u0219tientizate \u00eentr-o viziune complex\u0103 ce acoper\u0103, dincolo de sensurile generale \u00een colajul analogic, o perspectiv\u0103 extrem de personal\u0103 pe care ea \u00eens\u0103\u0219i o explic\u0103 foarte precis: \u201e\u00eenainte de orice, ca act corporal, ca practic\u0103 somatic\u0103. Sim\u021bul tactil preia comanda fa\u021b\u0103 de cel vizual: m\u00e2inile caut\u0103 forme, fragmente \u0219i texturi \u00eenainte ca ochii s\u0103 \u00een\u021beleag\u0103 pe deplin de ce.\u201d\u00a0 Spus \u00een al\u021bi termeni, de\u0219i \u00een prim\u0103 instan\u021b\u0103 putem vedea o tehnic\u0103 de a combina imagini sau obiecte care devin poezie, se \u00eent\u00e2mpl\u0103 o resemnificare \u0219i a tehnicii colajului \u0219i a poeziei, sau cumva o re-inventare a lor printr-o \u201earheologie interioar\u0103\u201d (cum spune chiar Livia), o plonjare \u00een ad\u00e2ncimile senzoriale \u0219i psihice, locul interior unde se na\u0219te chiar acest fel de poezie-obiect. Este ca o descoperire tactil\u0103 a ceea ce face actul de a poetiza cu imagini \u0219i obiecte, \u00eenainte s\u0103 devin\u0103 art\u0103. \u00cen acest sens, un privitor al lucr\u0103rilor Liviei intr\u0103 la r\u00e2ndul lui \u00een dimensiunea aceasta de laborator, chiar prin sim\u021buri, mai exact v\u0103zul captureaz\u0103 tactilul, imaginile cap\u0103t\u0103 o tridimensionalitate fluid\u0103, aproape vie, hipnotic\u0103, ce nu caut\u0103 neap\u0103rat sensuri\/concepte dar inevitabil \u00eel reg\u0103sim tocmai \u00een modul diferit de a participa la actul artistic.<\/p>\n<p>\u00cent\u00e2lnirea cu Livia Marinescu vine cu o propunere pentru poe\u021bii din Atelierul de crea\u021bie de a experimenta, prin arta colajului, o stare poetic\u0103 pre-verbal\u0103, un loc al sensului \u00een surplus, \u00eenainte de a fi transformat \u00een cuvinte. De asemenea, atelierul ofer\u0103 o privire \u00een laboratorul ei creativ, un spectacol al lucrului s\u0103u, ajung\u00e2nd la imaginea care disloc\u0103 privitorul, mut\u00e2ndu-i percep\u021bia \u0219i fiin\u021ba \u00een ALT\u0102 PARTE dec\u00e2t se a\u0219teapt\u0103. A muta bornele obi\u0219nuite ale artei, a fost \u0219i este \u0219i \u021binta Atelierului de crea\u021bie Poezie \u00een via\u021b\u0103, iar Livia Marinescu a configurat pe un drum organic care a pornit de la textele poetice o poezie senzorial\u0103 ce \u00ee\u0219i dep\u0103\u0219e\u0219te limitele textuale. Aici este \u0219i motivul pentru care, dup\u0103 mul\u021bi ani, am dorit s\u0103 o rev\u0103d \u0219i s\u0103 o prezint participan\u021bilor de acum, pe Livia Marinescu.<\/p>\n<p>Lucr\u0103rile sale au fost expuse \u00een expozi\u021bii personale \u0219i de grup, \u00een Rom\u00e2nia (Goethe Institut, Palatul Bragadiru), Marea Britanie, Belgia, \u0219i au ap\u0103rut \u00een publica\u021biile <em>Why Collage<\/em>, <em>Contemporary Collage Magazine, Suboart<\/em> \u0219i <em>Stereoscope Magazine<\/em>. C\u00e2teva dintre lucr\u0103rile sale se afl\u0103 \u00een colec\u021bia Art Set by Gaep Gallery, precum \u0219i \u00een colec\u021bii private. (Nina Vasile, coordonatoare Atelier de Crea\u021bie Poezie \u00een Via\u021b\u0103)<\/p>\n<p>O pute\u021bi urm\u0103ri pe paginile:\u00a0<a href=\"https:\/\/www.instagram.com\/thisisliviamarinescu\/\">https:\/\/www.instagram.com\/thisisliviamarinescu\/<\/a> si\u00a0<a href=\"https:\/\/linktr.ee\/liviamarinescu\">https:\/\/linktr.ee\/liviamarinescu<\/a>.<\/p>\n<p>Alte detalii:<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/caleapoeziei\">https:\/\/www.facebook.com\/caleapoeziei<\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/groups\/Taller.Poeticperformance\/\">https:\/\/www.facebook.com\/groups\/Taller.Poeticperformance\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne organizeaz\u0103 s\u00e2mb\u0103t\u0103, 16 mai 2026, \u00eentre orele 14.00-18.00, la sediul s\u0103u din strada Nicolae Cre\u021bulescu&#8230;<\/p>","protected":false},"author":13,"featured_media":39305,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-39302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=39302"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39302\/revisions"}],"predecessor-version":[{"id":39306,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39302\/revisions\/39306"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/39305"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=39302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=39302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=39302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}