\ud835\udc05\ud835\udc22\ud835\udc25\ud835\udc26\ud835\udc1e \ud835\udc1b\ud835\udc2e\ud835\udc25\ud835\udc20\ud835\udc1a\u0306\ud835\udc2b\ud835\udc1e\ud835\udc2c\u0326\ud835\udc2d\ud835\udc22 \ud835\udc25\ud835\udc1a \ud835\udc01\ud835\udc2e\ud835\udc1c\ud835\udc2e\ud835\udc2b\ud835\udc1e\ud835\udc2c\u0326\ud835\udc2d\ud835\udc22 reune\u0219te dou\u0103 scurtmetraje care pornesc de la literatur\u0103 pentru a construi pove\u0219ti puternice despre memorie, absen\u021b\u0103 \u0219i identitate.
\n\ud835\udc79\ud835\udc8a\ud835\udc95\ud835\udc96\ud835\udc82\ud835\udc8d\ud835\udc96\ud835\udc8d (r. Nadejda Koseva) este inspirat dintr-o povestire a unuia dintre cei mai importan\u021bi scriitori bulgari contemporani, Gheorgi Gospodinov, \u0219i surprinde cu umor amar \u0219i melancolie efectele migra\u021biei asupra celor r\u0103ma\u0219i acas\u0103.
\n\ud835\udc81\ud835\udc8a\ud835\udc96\ud835\udc82 \ud835\udc8a\u0302\ud835\udc8f \ud835\udc84\ud835\udc82\ud835\udc93\ud835\udc86 \ud835\udc94\ud835\udc86 \ud835\udc97\ud835\udc82 \ud835\udc8f\ud835\udc82\ud835\udc94\u0326\ud835\udc95\ud835\udc86 (r. Emil Spahiyski), realizat dup\u0103 o povestire de Yordanka Beleva, implic\u0103 \u0219i o contribu\u021bie rom\u00e2neasc\u0103, scenariul fiind co-scris de Bogdan Mure\u0219anu, \u00eentr-o coproduc\u021bie Bulgaria \u2013 Rom\u00e2nia care exploreaz\u0103 cu delicate\u021be universul fragil al demen\u021bei \u0219i al memoriei afective.
\nProiec\u021bia are loc \u00een mansarda Muzeului Na\u021bional al Literaturii Rom\u00e2ne (str. Nicolae Cre\u021bulescu nr. 8 ), cu acces liber, \u00een limita locurilor disponibile. Evenimentul este organizat cu sprijinul Funda\u021biei Ora\u0219ul Reel.<\/p>\n
\u2570\u2508\u27a4 \ud835\udc11\ud835\udc08\ud835\udc13\ud835\udc14\ud835\udc00\ud835\udc0b\ud835\udc14\ud835\udc0b
\nBulgaria \/ Germania | 2005 | Scurtmetraj de fic\u021biune | 17 min.
\nRegizoare: Nadejda Koseva
\nScenari\u0219ti: Gheorgi Gospodinov, Nadejda Koseva
\nDup\u0103 o povestire de Gheorgi Gospodinov
\nDirector de imagine: Radoslav Spassov
\nMontaj: Nina Altaparmakova
\nProduc\u0103tori: Stefan Kitanov (ART FEST, Bulgaria) \/ Herbert Schwering (Coin Film, Germania)
\nDistribu\u021bie: Svetlana Yancheva, Krasimir Dokov, Anna Broquet, Ivan Yurukov
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\n\u00centr-un mic sat bulgar, p\u0103rin\u021bii lui Gheorghi preg\u0103tesc o nunt\u0103 fastuoas\u0103 pentru fiul lor. \u00cen timp ce oaspe\u021bii petrec deja zgomotos, cei mai importan\u021bi invita\u021bi \u00eenc\u0103 nu au sosit \u2013 mirii.
\n\ud835\udc03\ud835\udc04\ud835\udc02\ud835\udc0b\ud835\udc00\ud835\udc11\ud835\udc00\ud835\udc13\u0326\ud835\udc08\ud835\udc00 \ud835\udc11\ud835\udc04\ud835\udc06\ud835\udc08\ud835\udc19\ud835\udc0e\ud835\udc00\ud835\udc11\ud835\udc04\ud835\udc08
\n\u275dRitualul se bazeaz\u0103 pe o poveste adev\u0103rat\u0103. Gheorgi Gospodinov \u0219i cu mine am scris \u00eempreun\u0103 scenariul. Filmul vorbe\u0219te despre genera\u021bia tranzi\u021biei \u0219i despre cei care au ales s\u0103 p\u0103r\u0103seasc\u0103 Bulgaria \u00een c\u0103utarea unei vie\u021bi mai bune, mai \u00eemplinite, mai sigure \u0219i mai fericite \u00een str\u0103in\u0103tate, precum \u0219i despre p\u0103rin\u021bii pe care i-au l\u0103sat \u00een urm\u0103.
\nNu exist\u0103 nicio judecat\u0103 \u00een povestea pe care o spunem, niciun resentiment fa\u021b\u0103 de prietenii no\u0219tri care au plecat. Fiecare este liber s\u0103 aleag\u0103 cum dore\u0219te s\u0103 tr\u0103iasc\u0103. Pur \u0219i simplu, cei dintre noi care am r\u0103mas \u00een urm\u0103 le ducem foarte mult dorul.
\nRitualul a fost primul meu film dup\u0103 absolvirea Academiei de Film din Sofia. A fost o mare onoare s\u0103 lucrez cu Svetlana Yantcheva, Krassi Dokov, Ivan Yurukov \u0219i Anna Broquet.\u275e
\n\ud835\udc03\ud835\udc04\ud835\udc12\ud835\udc0f\ud835\udc11\ud835\udc04 \ud835\udc11\ud835\udc04\ud835\udc06\ud835\udc08\ud835\udc19\ud835\udc0e\ud835\udc00\ud835\udc11\ud835\udc04
\nNadejda Koseva a absolvit Academia Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 din Sofia. La scurt timp dup\u0103 absolvire, a regizat scurtmetrajul de fic\u021biune The Ritual (2005), parte a filmului colectiv Lost and Found, care a avut premiera \u00een sec\u021biunea Forum a Festivalului Interna\u021bional de Film de la Berlin \u00een 2005. Episodul este bazat pe o povestire scurt\u0103 de Georgi Gospodinov. Ceilal\u021bi regizori implica\u021bi \u00een proiect au fost Mait Laas, Cristian Mungiu, Jasmila \u017dbani\u0107, Korn\u00e9l Mundrucz\u00f3 \u0219i Stefan Arsenijevi\u0107.
\nUrm\u0103torul scurtmetraj de fic\u021biune al Irinei Koseva, Omelet, a primit o men\u021biune special\u0103 la Festivalul de Film de la Sundance \u00een 2009, printre multe alte premii interna\u021bionale. Scurtmetrajul ei Take Two a fost, de asemenea, prezentat pe scar\u0103 larg\u0103 \u00een circuitul festivalier dup\u0103 ce a primit o men\u021biune special\u0103 la Festivalul de Film de la Sarajevo \u00een 2011. \u201eIrina\u201d a marcat debutul ei \u00een lungmetraj.
\nThe Trap este al doilea lungmetraj al regizoarei Koseva. Scenariul a fost scris de renumitul scriitor bulgar Boyan Papazov. \u00cen prezent, ea pred\u0103 cinematografie copiilor \u0219i prezideaz\u0103 programul Teen Film Competition la Festivalul de Film de la Sofia.<\/p>\n
\u2570\u2508\u27a4 \ud835\udc19\ud835\udc08\ud835\udc14\ud835\udc00 \ud835\udc08\u0302\ud835\udc0d \ud835\udc02\ud835\udc00\ud835\udc11\ud835\udc04 \ud835\udc12\ud835\udc04 \ud835\udc15\ud835\udc00 \ud835\udc0d\ud835\udc00\ud835\udc12\u0326\ud835\udc13\ud835\udc04
\nBulgaria, Rom\u00e2nia | Scurtmetraj de fic\u021biune | 16 min.
\nRegizor: Emil Spahiyski
\nScenari\u0219ti: Emil Spahiyski, Bogdan Mure\u0219anu, dup\u0103 o nuvel\u0103 de Yordanka Beleva
\nProduc\u0103tor: Dobomir Chochov
\nCoproduc\u0103tor: Julian Kostov
\nProduc\u0103tor asociat: Bogdan Mure\u0219anu
\nDirector de imagine: Kiril Prodanov
\nMontaj: Martin Zahariev-Mais
\nCompozitor: George Strezov
\nDistribu\u021bie: Plamena Getova, Irinei Konstantinov, Mirela Ilieva, Julian Kostov, Ioanna Mikova, Vilma Stoyanova-Arsate
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\nMarta, o femeie care sufer\u0103 de demen\u021b\u0103, caut\u0103 refugiu de realitatea dur\u0103 a bolii sale \u0219i de limitele unui azil de b\u0103tr\u00e2ni. Pe m\u0103sur\u0103 ce amintirile ei \u00eencep s\u0103 se estompeze, ea se retrage \u00een c\u0103ldura momentelor sale cele mai fericite, unde trecutul \u00eei ofer\u0103 singura sc\u0103pare dintr-o lume care nu mai pare a fi a ei.
\n\ud835\udc03\ud835\udc04\ud835\udc02\ud835\udc0b\ud835\udc00\ud835\udc11\ud835\udc00\ud835\udc13\u0326\ud835\udc08\ud835\udc00 \ud835\udc11\ud835\udc04\ud835\udc06\ud835\udc08\ud835\udc19\ud835\udc0e\ud835\udc11\ud835\udc14\ud835\udc0b\ud835\udc14\ud835\udc08
\n\u275dMintea nu cunoa\u0219te limite \u2013 nici trecut, nici viitor \u2013, ci doar momentul prezent. \u00cen acel moment, exist\u0103m oriunde alegem s\u0103 fim. Dar exist\u0103 oare o cale de a crea o lume mai bl\u00e2nd\u0103 \u0219i mai \u00eeng\u0103duitoare pentru cei care tr\u0103iesc cu demen\u021b\u0103?
\nSimt nevoia s\u0103 spun aceast\u0103 poveste deoarece demen\u021ba nu este doar o afec\u021biune medical\u0103: este o experien\u021b\u0103 uman\u0103 profund\u0103 care atinge milioane de vie\u021bi, transform\u00e2nd familiile \u0219i pun\u00e2nd la \u00eencercare \u00een\u021belegerea noastr\u0103 asupra identit\u0103\u021bii \u0219i a leg\u0103turilor.
\nAst\u0103zi, peste 55 de milioane de oameni din \u00eentreaga lume tr\u0103iesc cu demen\u021b\u0103, iar aproape 10 milioane de cazuri noi sunt diagnosticate \u00een fiecare an. Majoritatea persoanelor afectate tr\u0103iesc \u00een \u021b\u0103ri cu venituri mici \u0219i medii, unde \u00eengrijirea este limitat\u0103, iar \u00een\u021belegerea \u0219i mai rar\u0103. Dar demen\u021ba este mai mult dec\u00e2t statistici. Are un chip. Un nume. O poveste.
\nFemeile poart\u0103 cea mai grea povar\u0103 \u2013 nu doar ca cele mai afectate de boal\u0103, ci \u0219i ca \u00eengrijitoare t\u0103cute, oferind aproximativ 70% din totalul orelor de \u00eengrijire pentru cei dragi care dispar \u00eencet \u00een cea\u021ba memoriei.
\nDemen\u021ba nu este pur \u0219i simplu o boal\u0103. Este o confruntare. \u0218i se \u00eent\u00e2mpl\u0103 acum.\u275e
\n\ud835\udc03\ud835\udc04\ud835\udc12\ud835\udc0f\ud835\udc11\ud835\udc04 \ud835\udc11\ud835\udc04\ud835\udc06\ud835\udc08\ud835\udc19\ud835\udc0e\ud835\udc11
\nEmil Spahiyski este editor, jurnalist, scenarist \u0219i regizor, cu o vast\u0103 experien\u021b\u0103 \u00een presa scris\u0103, televiziune \u0219i cinema.
\n\u00cen calitate de jurnalist, a abordat o gam\u0103 larg\u0103 de subiecte, printre care politica, r\u0103zboiul \u0219i rela\u021biile interna\u021bionale. A realizat reportaje despre r\u0103zboiul din Kosovo \u0219i a activat ca corespondent \u00een Georgia \u0219i \u00een regiunea Caucazului.
\nA lucrat ca scenarist pentru lungmetraje \u0219i seriale de televiziune, precum \u0219i ca produc\u0103tor de teren \u0219i produc\u0103tor pentru formate de televiziune. Munca sa a fost premiat\u0103 de numeroase ori \u00een domeniul jurnalismului, televiziunii \u0219i cinematografiei. \u00cen domeniul cinematografic, a primit Premiul pentru debut regizoral la Festivalul Golden Rhyton \u00een 2019 pentru documentarul Icarus of Kocherinovo.
\n\u00cen 2015, a primit Premiul Academiei Bulgare de Film pentru cel mai bun scenariu, \u00eemp\u0103r\u021bit cu Marin Damyanov \u0219i Stefan Komandarev, pentru filmul The Judgment.<\/p>","protected":false},"excerpt":{"rendered":"
\ud835\udc05\ud835\udc22\ud835\udc25\ud835\udc26\ud835\udc1e \ud835\udc1b\ud835\udc2e\ud835\udc25\ud835\udc20\ud835\udc1a\u0306\ud835\udc2b\ud835\udc1e\ud835\udc2c\u0326\ud835\udc2d\ud835\udc22 \ud835\udc25\ud835\udc1a \ud835\udc01\ud835\udc2e\ud835\udc1c\ud835\udc2e\ud835\udc2b\ud835\udc1e\ud835\udc2c\u0326\ud835\udc2d\ud835\udc22 reune\u0219te dou\u0103 scurtmetraje care pornesc de la literatur\u0103 pentru a construi pove\u0219ti puternice despre memorie, absen\u021b\u0103…<\/p>","protected":false},"author":13,"featured_media":39338,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-39337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=39337"}],"version-history":[{"count":6,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39337\/revisions"}],"predecessor-version":[{"id":39344,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/39337\/revisions\/39344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/39338"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=39337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=39337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=39337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}