{"id":4395,"date":"2018-02-16T09:42:30","date_gmt":"2018-02-16T07:42:30","guid":{"rendered":"http:\/\/mnlr.ro\/?p=4395"},"modified":"2018-02-16T09:42:30","modified_gmt":"2018-02-16T07:42:30","slug":"auditie-cu-public-spectacolului-surpriza-dragostei-de-marivaux","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/auditie-cu-public-spectacolului-surpriza-dragostei-de-marivaux\/","title":{"rendered":"Audi\u021bie cu public a spectacolului \u201eSurpriza dragostei\u201d de Marivaux"},"content":{"rendered":"<p><strong>Muzeul Na\u021bional al Literaturii Rom\u00e2ne, \u00een parteneriat cu Teatrul Na\u021bional Radiofonic, v\u0103 propun mar\u021bi, 20 februarie 2018, la ora 17.00, audi\u021bia cu public a spectacolului\u00a0<em>Surpriza dragostei<\/em>\u00a0de Marivaux la sediul MNLR din\u00a0<a href=\"https:\/\/mnlr.us16.list-manage.com\/track\/click?u=9d8daeb9344f52fc116dbbc7b&amp;id=342c5266bc&amp;e=ad50adfd9e\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=ro&amp;q=https:\/\/mnlr.us16.list-manage.com\/track\/click?u%3D9d8daeb9344f52fc116dbbc7b%26id%3D342c5266bc%26e%3Dad50adfd9e&amp;source=gmail&amp;ust=1518853137852000&amp;usg=AFQjCNFA-0IQ1mLqDLoLdaJIdimvgrKpmQ\">Str. Nicolae Cre\u021bulescu 8\u00a0<\/a>(\u00een spatele Bisericii Albe).<br \/>\n<\/strong><br \/>\n\u00cen distribu\u021bie: Crina Lin\u021b\u0103, Mihai M\u0103laimare, C\u0103t\u0103lina Musta\u021b\u0103, Marius Rizea, Manuela Ciucur, Silviu Biri\u0219. Traducere \u0219i adaptare radiofonic\u0103 de Pu\u0219a Roth. Regia artistic\u0103: Vasile Manta. Redactor \u0219i produc\u0103tor: Costin Tuchil\u0103. Regia de studio: Janina Dicu. Regia de montaj: Radu Verde\u0219 \u0219i Dana Lupu. Regia muzical\u0103: Stelic\u0103 Muscalu. Spectacolul\u00a0<em>Surpriza dragostei<\/em>\u00a0va fi difuzat \u00een premier\u0103 mar\u021bi, 27 februarie 2018, ora 19.00, la Radio Rom\u00e2nia Cultural.<\/p>\n<p>Despre\u00a0<strong>Pierre Carlet de Chamblain de Marivaux<\/strong>, normandul n\u0103scut la Paris, la 4 februarie 1688, la 15 ani dup\u0103 moartea lui Moli\u00e8re \u015fi plecat spre alte z\u0103ri tot \u00eentr-o zi de februarie, 12, a anului 1763, uitat \u015fi izolat de lume, istoriile literare scriu: \u201e\u00cendr\u0103gostit de teatru \u015fi de adev\u0103r, moralist f\u0103r\u0103 a fi mizantrop, spectator lucid al unei lumi \u00een schimbare, Marivaux a dorit s\u0103 inventeze idei \u015fi limbaje noi. Este ceea ce el numea a g\u00e2ndi \u00een calitate de om\u201d. \u201eMarivaudage\u201d \u00eenseamn\u0103 de dou\u0103 veacuri \u201eamabilitate pre\u0163ioas\u0103, limbaj galant.\u201d Caracteriz\u00e2nd un stil, adjectivul \u201emarivaud\u00e9\u201d a devenit sinonimul livresc pentru \u201erafinat, pedant, pre\u0163ios, \u00eentortocheat, alambicat.\u201d<\/p>\n<p><strong>MARIVAUX\u00a0<\/strong>penduleaz\u0103 prin registrele comediei pe care \u00eencearc\u0103 s\u0103 o re\u00eennoiasc\u0103 \u00een totalitate. Comedia dragostei? Nelini\u015ftitul scriitor surprinde cu fine\u0163e gesturi, rela\u0163ii interumane, secrete, m\u0103\u015ftile inimii omene\u015fti. \u015etie ca nimeni altul s\u0103 priveasc\u0103 dragostea sub aspect comic \u015fi, uneori cu un z\u00e2mbet subtil, alteori plin de sarcasm, s\u0103 o supun\u0103 unei analize minu\u0163ioase. Analiza lui psihologic\u0103, niciodat\u0103 \u00eens\u0103 f\u0103cut\u0103 la vedere, caut\u0103 cu o pl\u0103cere imens\u0103, poate chiar u\u015for diabolic\u0103, resorturile cele mai ascunse ale sentimentului.<\/p>\n<p>Odat\u0103 cu\u00a0<em>Surpriza dragostei<\/em>\u00a0(\u00a0<em>La Surprise de l\u2019amour\u00a0<\/em>), Marivaux a pornit pe drumul cre\u0103rii genului personal de comedie psihologic\u0103. Devenise autorul preferat al trupei comedian\u0163ilor italieni, iar numele actorilor se reg\u0103sesc \u00een piese.<\/p>\n<p><em>Surpriza dragostei<\/em>\u00a0s-a jucat \u00een premier\u0103 \u00een 3 mai 1722 la H\u00f4tel de Bourgogne din Paris. Titlul va fi reluat \u00een 1727: \u201eA doua surpriz\u0103 a dragostei\u201d<em>.<\/em>\u00a0\u00a0Cu personaje care se revendic\u0103 formal din\u00a0<em>commedia dell\u2019arte<\/em>,<em>\u00a0<strong>Surpriza dragostei<\/strong><\/em>, pe care Th\u00e9ophile Gautier o considera capodopera lui Marivaux, este o fermec\u0103toare punere \u00een scen\u0103 a fr\u0103m\u00e2nt\u0103rilor n\u0103scute de sentimentul de dragoste, de la refuz la acceptare, de la reticen\u021b\u0103 \u0219i mefien\u021b\u0103 la \u00eenfl\u0103c\u0103rare \u0219i \u00eencredere, \u00eentr-un limbaj plin de culoare \u0219i expresivitate, \u00een care stereotipiile\u00a0<em>commediei dell\u2019arte<\/em>\u00a0sunt \u00eenvinse de str\u0103lucirea stilului teatral at\u00e2t de personal al lui Marivaux.<\/p>\n<p>Intrarea este liber\u0103, \u00een limita locurilor disponibile.<\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul Na\u021bional al Literaturii Rom\u00e2ne, \u00een parteneriat cu Teatrul Na\u021bional Radiofonic, v\u0103 propun mar\u021bi, 20 februarie 2018, la ora 17.00,&#8230;<\/p>","protected":false},"author":1,"featured_media":4396,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-4395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/4395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=4395"}],"version-history":[{"count":1,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/4395\/revisions"}],"predecessor-version":[{"id":4397,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/4395\/revisions\/4397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/4396"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=4395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=4395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=4395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}