{"id":6125,"date":"2018-07-03T14:48:37","date_gmt":"2018-07-03T11:48:37","guid":{"rendered":"http:\/\/mnlr.ro\/?p=6125"},"modified":"2018-07-03T14:48:37","modified_gmt":"2018-07-03T11:48:37","slug":"international-congress-chemistry-cultural-heritage-5th-edition","status":"publish","type":"post","link":"https:\/\/mnlr.ro\/en\/international-congress-chemistry-cultural-heritage-5th-edition\/","title":{"rendered":"International Congress on CHEMISTRY FOR CULTURAL HERITAGE, 5th edition"},"content":{"rendered":"<p><strong>PROGRAMME<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h1>Tuesday, July 3 rd<\/h1>\n<h4>The National Museum of Romanian Literature, Str. Nicolae Cre\u0163ulescu no. 8 (behind the White Church on Calea Victoriei and behind UNITER)<\/h4>\n<p><strong>18:00<\/strong><\/p>\n<p><strong>Registration &amp; <em>Welcome Party in the Garden with Jazz Quartet Tiberian,<\/em><\/strong><\/p>\n<p><strong><em>short film (\u201cROST12. Hotare\u201d by R\u0103zvan Voiculescu) and special lighting by Philips Romania<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<h1>Wednesday, July 4<\/h1>\n<p><strong>The Central University Library of Bucharest, entrance of Calea Victoriei no. 88 <\/strong><strong>(opposite to The National Museum of Art of Romania)<\/strong><\/p>\n<p><strong>8<\/strong><strong>.30<\/strong><\/p>\n<p><strong>Registration<\/strong><\/p>\n<p><strong>9.30<\/strong><\/p>\n<p><strong>Opening: Welcome Addresses<\/strong><\/p>\n<p>Chairs: Elena Badea &amp; Ioan Cristescu<\/p>\n<p>Rocco Mazzeo, Chair of Working Party ChemCH of EuCheMS Gabriela Firea, Mayor of Bucharest City<\/p>\n<p>Nicolae Burnete, Ministry of Research and Innovation<\/p>\n<p>Mireille-Carmen R\u0103doi, Manager of Central University Library of Bucharest George Iva\u015fcu, Ministry of Culture<\/p>\n<p>Sorin Ro\u015fca, President of Romanian Chemistry Society<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>SESSION 1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p>Chair: Manfred Schreiner<\/p>\n<p><strong>10.00<\/strong><\/p>\n<h4>Plenary Lecture<\/h4>\n<p>MINIATURIZED BIOSENSORS TO PRESERVE AND MONITOR CULTURAL HERITAGE: FROM MEDICAL TO CONSERVATION DIAGNOSIS<\/p>\n<p>Giorgia Sciutto, Martina Zangheri, Laura Anfossi, Massimo Guardigli, Silvia Prati, Mara Mirasoli, Fabio Di Nardo, Claudio Baggiani, <u>Rocco Mazzeo<\/u> and Aldo Roda<\/p>\n<p>&nbsp;<\/p>\n<h2>10.30<\/h2>\n<p>THE EVOLUTION OF CONSERVATION SCIENCE EDUCATION IN THE UNITED STATES OVER THE PAST 50 YEARS<\/p>\n<p><u>Rebecca Ploeger<\/u>, Aaron Shugar and Meredeth Lavelle<\/p>\n<h2>10.45<\/h2>\n<p>EVALUATION OF MICROBIAL COLONIZATION AND CONTRIBUTION TO DESTRUCTION OF ANGKOR SANDSTONE MONUMENTS IN CAMBODIA FOR MORE THAN A DECADE<\/p>\n<p><u>Ji-Dong Gu<\/u> and Yoko Katayama<\/p>\n<p>&nbsp;<\/p>\n<h2>11.00<\/h2>\n<p>Discussion<\/p>\n<p>&nbsp;<\/p>\n<h2>11.10<\/h2>\n<p><em>Coffee Break<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<h3><u>SESSION 2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: L\u00f6ic Bertrand<\/p>\n<h2>11.40<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>THE CHALLENGE: INDOOR AIR QUALITY, DAMAGE ASSESSMENT AND NOVEL CONSERVATION TREATMENTS<\/p>\n<p><u>Marianne Odlyha<\/u>, David Thickett, Angelica Bartoletti, Alexandra Bridarolli and Laurent Bozec<\/p>\n<h2>12.10<\/h2>\n<h4>Key-note Lecture<\/h4>\n<p>NON-DESTRUCTIVE TESTING IN ARTS AND ARCHAEOLOGY<\/p>\n<p>Oliver Hahn<\/p>\n<p>&nbsp;<\/p>\n<h2>12:35<\/h2>\n<p>AIR QUALITY MEASUREMENTS AND ASSESSMENT OF RISK FOR OBJECTS AT THE \u201eFERDINAND I\u201d NATIONAL MILITARY MUSEUM IN BUCHAREST AND TISMANA MONASTERY IN GORJ COUNTY, ROMANIA<\/p>\n<p><u>Octaviana Marinca\u0219<\/u> and Terje Gr\u00f8ntoft<\/p>\n<h2>12:50<\/h2>\n<p>A NEW A TEMPORARY CONSOLIDATION TECHNOLOGY AND ITS APPLICATION FOR FRAGILE CULTURAL RELICS IN ARCHAEOLOGICAL EXCAVATION SITES<\/p>\n<p><u>Luo Hongjie<\/u>, Rong Bo and Han Xiangna<\/p>\n<h2>13.05<\/h2>\n<p>Discussion<\/p>\n<h2>13.15<\/h2>\n<p><em>Lunch<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<h3><u>SESSION 3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: Rocco Mazzeo<\/p>\n<h2>14.15<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>EXPANDING MACROSCOPIC X-RAY IMAGING FROM MA-XRF TO MA-XRPD: POSSIBILITIES FOR MORE SPECIFIC WAYS OF NON-INVASIVE IMAGING OF WORKS OF ART<\/p>\n<p><u>Koen Janssens<\/u>, Frederik Vanmeert, Steven de Meyer and Geert van der Snickt<\/p>\n<h2>14.45<\/h2>\n<p>A NOVEL MULTI-ANALITICAL MICROSCOPIC APPROACH FOR THE IN-DEPTH INVESTIGATION OF PAINTING MATERIALS<\/p>\n<p><u>Alessia Artesani<\/u>, Sara Mosca, Marta Ghirardello, Austin Nevin, Gianluca Valentini and Daniela Comelli<\/p>\n<h2>15.00<\/h2>\n<p>VIS-NIR-SWIR FIELD REFLECTANCE SPECTROSCOPY CLASSIFICATION MODEL TO DISCRIMINATE THE TRANSFORMATION TEMPERATURE OF YELLOW OCHRE PIGMENT INTO RED IN POMPEIAN WALL PAINTINGS<\/p>\n<p><u>Iker Marcaida, <\/u>Maite Maguregui, H\u00e9ctor Morillas, Juan Manuel Madariaga, Alberta Martellone, Bruno De Nigris and Massimo Osanna<\/p>\n<p>&nbsp;<\/p>\n<h2>15:15<\/h2>\n<p>THE V&amp;A LEMAN ALBUM: PROS AND CONS OF A NON-DESTRUCTIVE ANALYSIS APPROACH<\/p>\n<p>L<u>ucia Burgio<\/u>, Rosarosa Manca, Victoria Button, Jane Rutherston, Olivia Horsfall Turner, Clare Browne, Laura Cartechini, Brenda Doherty, Chiara Grazia, Marco Paolantoni, Francesca Rosi, Aur\u00e9lie Tournie, Christine Andraud, Anne Michelin and Maarten van Bommel<\/p>\n<p>&nbsp;<\/p>\n<h2>15.30<\/h2>\n<p>THE CARBOXYLIC ACID CONCENTRATION IN MODEL ZINC WHITE PAINTS AND ITS EFFECTS ON METAL SOAP CRYSTALLIZATION<\/p>\n<p><u>Bai<\/u><u>j<\/u> <u>Lambert<\/u>, Louise Chassouant, Joen J. Hermans, Katrien Keune and Piet D. Iedema<\/p>\n<h2>15.45<\/h2>\n<p>Discussion<\/p>\n<h2>15.55<\/h2>\n<p><strong>Exhibition: <em>Psalter of Dragomirna \u2013 a Treasure of Orthodox Christian Art<\/em><\/strong><\/p>\n<p><em>followed by Coffee Break<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong><u>SESSION 4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p>Chair: Koen Janssens<\/p>\n<h2>16.40<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>SPATIALLY RESOLVED REAL-TIME XRF IMAGING OF 2D AND 3D ARTWORKS<\/p>\n<p><u>Frencesco Paolo Romano<\/u>, Claudia Caliri, Andreas Germanos Karydas, Sandra Di Martino and Paolo Nicotra<\/p>\n<h2>17.10<\/h2>\n<p>IN-SITU MA-XRF ANALYSIS OF PLATINUM GROUP ELEMENT INCLUSIONS IN MYCENAEAN GOLD SIGNET RINGS<\/p>\n<p>Francesco Paolo Romano, Claudia Caliri, Vasiliki Kantarelou, <u>Andreas Germanos Karydas<\/u>, Sharon R. Stocker and Jack L. Davis<\/p>\n<h2>17.25<\/h2>\n<p>THE EVOLUTION IN LAKE SUBSTRATES IN YELLOW AND RED ORGANIC LAKE PIGMENTS IN PAINTINGS BY REMBRANDT VAN RIJN USING MA-XRF IMAGING AND PAINT SAMPLE ANALYSIS<\/p>\n<p><u>Annelies van Loon<\/u> and Petria Noble<\/p>\n<h2>17.40<\/h2>\n<p>ANALYSIS OF THE PIGMENT DISTRIBUTION USING FULL-FIELD X-RAY FLUORESCENCE IMAGING SYSTEM<\/p>\n<p>Agata Mendys, Tomasz Fiutowski, Piotr Fr\u0105czek, Stefan Koperny, Marek Lankosz, Bart\u0142omiej \u0141ach, Bartosz Mindur, <u>Micha\u0142 Obarzanowski<\/u>, Krzysztof \u015awientek, Piotr Wi\u0105cek, Pawe\u0142 M. Wr\u00f3bel and W\u0142adys\u0142aw D\u0105browski<\/p>\n<p>&nbsp;<\/p>\n<h2>17.55<\/h2>\n<p>THE HETEROGENEITY OF LEAD ISOTOPES WITHIN A PAINTING: IMPLICATIONS FOR LEAD WHITE PROVENANCE<\/p>\n<p><u>Paolo D\u2019Imporzano<\/u>, Katrien Keune, Janne M. Koornneef, Erma Hermens, Petria Noble and Gareth R. Davies<\/p>\n<h2>18.10<\/h2>\n<p>Discussion<\/p>\n<h4>END OF SESSION<\/h4>\n<h1>Thursday, July 5th<\/h1>\n<h4>The Central University Library of Bucharest<\/h4>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><u>SESSION 5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p>Chair: Francesca Modugno<\/p>\n<p><strong>9.00<\/strong><\/p>\n<h4>Plenary Lecture<\/h4>\n<p>HIGH SPATIAL DYNAMICS IMAGING OF HERITAGE SYSTEMS<\/p>\n<p><u>Lo\u00efc Bertrand<\/u>, Mathieu Thoury, Pierre Gueriau, Serge Cohen, Rafaella Georgiou, Luc Robbiola, Etienne Anheim and Uwe Bergmann<\/p>\n<p>&nbsp;<\/p>\n<h2>9.30<\/h2>\n<h4>Key-note Lecture<\/h4>\n<p>STABILITY OF ART MATERIALS AND THE DEVELOPMENT OF SET-UPS FOR IN-SITU STUDIES ON MATERIAL DEGRADATION PROCESSES<\/p>\n<p><u>Rita Wiesinger<\/u> and Manfred Schreiner<\/p>\n<h2>9.55<\/h2>\n<p>A NEW BIO-BASED ORGANOGEL FOR THE REMOVAL OF WAX COATING FROM INDOOR BRONZE SURFACE<\/p>\n<p><u>Jia Yiming<\/u>, Giorgia Sciutto, Emilio Catelli, Silvia Prati, Monica Galeotti, Simone Porcinai, Laura Mazzocchetti, Chiara Samor\u00ec, Paola Galletti, Loris Giorgini, Emilio Tagliavini and Rocco Mazzeo<\/p>\n<p>&nbsp;<\/p>\n<h2>10.10<\/h2>\n<p>CHEMOMETRICS METHODS IN THE RECONSTRUCTION OF THE CHEMICAL COMPOSITION OF MEDIEVAL SILVER HOHLPFENNIG FROM POLAND<\/p>\n<p><u>Barbara \u0141yd\u017cba-Kopczy\u0144ska<\/u>, Carlo Bottaini, Rui Bordalo, Roksana Wawrzczak and Pawe\u0142 Milejski<\/p>\n<h2>10.25<\/h2>\n<p>THE VERSAILLES PALACE\u2019S FOUNTAINS HISTORY. THE GEOCHEMICAL POINT OF VIEW<\/p>\n<ol>\n<li><u> Pons-Branchu<\/u>, M. Roy-Barman, S. Madikita, D. Malnar, G. Bultez, E. Douville, F. Thil, L. Foliot, A. Dapoigny, L. Bordier and J.L.Michelot<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<h2>10.40<\/h2>\n<p>Discussion<\/p>\n<h2>10:50<\/h2>\n<p><em>Coffee Break<\/em><\/p>\n<h3><u>SESSION 6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: Radovan Tin\u00f3<\/p>\n<h2>11.20<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>MOLAB THE EUROPEAN MOBILE PLATFORM FOR HERITAGE SCIENCE: NEW DIAGNOSTIC STRATEGIES FOR ASSESSING THE CLEANING OF PAINTINGS<\/p>\n<p>Patrizia Moretti, Laura Cartechini, Magdalena Iwanicka, Piotr Targowski and <u>Costanza Miliani<\/u><\/p>\n<h2>11.50<\/h2>\n<p>PROBING THE FADING OF PRUSSIAN BLUE &#8211; DANISH GOLDEN AGE OIL PAINTINGS UNDER INVESTIGATION: LINKING THE MACRO NON-INVASIVE APPROACH AND THE MICRO SR-BASED ANALYSIS<\/p>\n<p><u>David Buti<\/u>, Letizia Monico, Annalisa Chieli, Anna Vila and Costanza Miliani<\/p>\n<h2>12.05<\/h2>\n<p>THE \u201cSCREAM\u201d BY EDVARD MUNCH &#8211; SAME MOTIF, DIFFERENT COLOURS, DIFFERENT TECHNIQUES AND APPROACHES<\/p>\n<p>\u2013 A NOVEL NON-INVASIVE COMPARATIVE STUDY OF TWO OF ITS VERSIONS<\/p>\n<p><u>Irina Crina Anca Sandu<\/u>, Thierry Ford, Costanza Miliani, Koen Janssens, Geert van der Snickt, Jana Striova, Marco Raffaelli, Raffaella Fontana, Laura Cartechini, Francesca Rosi, Aldo Romani, Letizia Monico, Chiara Grazia,<\/p>\n<p>Renato Pereira de Freitas, Aurelie Tournie, Christine Andraud, Vincent Detalle, Elsa Bourguignon, Kilian Laclavetine, Fran\u00e7ois Mirambet, Sony George, Jon Yngve Hardeberg, Magdalena Ufnalewska-Godzimirska, Gry Landro,<\/p>\n<p>Eva Storevik Tveit and Petra Pettersen<\/p>\n<h2>12.20<\/h2>\n<p>RESEARCH AND REVIVAL OF MALBORK MADONNA \u2013 A MONUMENTAL MEDIAEVAL STATUE COVERED WITH GLASS MOSAIC<\/p>\n<p><u>David Hradil<\/u>, Janka Hradilov\u00e1, Dana Rohanov\u00e1 and Marcin Kozarzewski<\/p>\n<h2>12.35<\/h2>\n<p>Discussion<\/p>\n<h2>12.45<\/h2>\n<p><em>Lunch<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<h3><u>SESSION 7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: Marianne Odlyha<\/p>\n<h2>13.30<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>MULTISPECTRAL IMAGING AND NON-INVASIVE MATERIAL ANALYSIS OF MEDIEVAL MANUSCRIPTS BY XRF, R-FTIR AND RAMAN SPECTROSCOPY<\/p>\n<p><u>Manfred Schreiner<\/u>, Bernadette Fr\u00fchmann, Federica Cappa and Wilfried Vetter<\/p>\n<h2>14.00<\/h2>\n<p>PHYSICO-CHEMICAL STUDY OF GUMTION GELS: EXPERIMENTAL MODELING OF PAINTERS\u2019 RECIPES<\/p>\n<p><u>H\u00e9l\u00e8ne Pasco<\/u>, Laurence de Viguerie, Marco Faustini, Philippe Walter and Cl\u00e9ment Sanchez<\/p>\n<h2>14. 15<\/h2>\n<p>WHY POLYMERIC MATERIALS (\u201cPLASTICS\u201d) ARE NOT RELIABLE FOR LONG-TERM ARTWORKS?<\/p>\n<p><u>Mariana Cristea<\/u> and Daniela Ionita<\/p>\n<h2>14.30<\/h2>\n<p>INVESTIGATION OF ACETIC ACID RELEASE AND ITS INFLUENCE ON THE CELLULOSE ACETATE MATERIAL OF THE TRANSPARENT FIGURES OF THE DEUTSCHES HYGIENE-MUSEUM<\/p>\n<p><u>Benjamin Kemper<\/u> and Maria L\u00f6rzel<\/p>\n<h2>14:45<\/h2>\n<p>THE MOLECULAR STRUCTURE OF THE MATERIAL, AN EFFECTIVE FACTOR IN THE CORROSION INHIBITORY BEHAVIOR IN THE TREATMENT METHOD OF METAL OBJECTS<\/p>\n<p><u>Parastou Naeimi Taraei<\/u>, Abolghasem Dolati and Mohammad Amin Emami<\/p>\n<h2>15.00<\/h2>\n<p>Discussion<\/p>\n<h2>15.10<\/h2>\n<p><em>Coffee Break<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<h3><u>SESSION 8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chairs: Irina Petroviciu and Lucretia Miu<\/p>\n<h2>15:40<\/h2>\n<p><strong><em>Rapid-fire poster session <\/em><\/strong>(each poster 2 min, max. 4 PP slides)<\/p>\n<h2>16:40<\/h2>\n<p>Introduction <em>Heritage Science <\/em>Journal \u2013 ChemCH 2018 Special Issue<\/p>\n<h2>16:50<\/h2>\n<p>Introduction <em>International Biodeterioration &amp; Biodegradation <\/em>Journal \u2013 ChemCH 2018 Special Issue<\/p>\n<h3><u>SESSION 9\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: Flavia Pinzari<\/p>\n<h2>17.00<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>ADVANCED NMR METHODOLOGIES FOR STUDYING CULTURAL HERITAGE<\/p>\n<p><u>Noemi Proietti<\/u>, Valeria Di Tullio and Donatella Capitani<\/p>\n<h2>17.30<\/h2>\n<p>OLD CONSERVATION METHODS AS A FACTOR OF LOSS OF INFORMATION HELD BY THE HISTORICAL MATERIAL OF MANUSCRIPTS MADE OF PARCHMENT<\/p>\n<p><u>Patricia Engel<\/u>, Matthew Collins, Sarah Fiddyment, Matthew Teasdale, Jiri Vnoucek, Carla Soto and Gopi Talari<\/p>\n<h2>17.45<\/h2>\n<p>MICRO DIFFERENTIAL SCANNING CALORIMETRY (MICRO DSC) AND THERMAL MICROSCOPY (IMAGE MHT) FOR QUANTIFYING DAMAGE IN HISTORICAL LEATHERS<\/p>\n<p><u>Cristina Car\u015fote<\/u>, Elena Badea, Lucretia Miu and Giuseppe Della Gatta<\/p>\n<h2>18.00<\/h2>\n<p>EPR \u2013 A PROMISING TECHNIQUE FOR PARCHMENT DEGRADATION STUDIES IN CULTURAL HERITAGE OBJECTS<\/p>\n<p><u>Federica Cappa<\/u>, Manfred Schreiner and Alfonso Zoleo<\/p>\n<h2>18.15<\/h2>\n<p>AZURITE IN MEDIEVAL ILLUMINATED MANUSCRIPTS \u2013 A REFLECTION-FTIR STUDY CONCERNING THE IDENTIFICATION OF BINDING MEDIA<\/p>\n<p><u>Wilfried Vetter<\/u>, Irene Latini and Manfred Schreiner<\/p>\n<h2>18.30<\/h2>\n<p>Discussion<\/p>\n<h4>END OF SESSION<\/h4>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>20:00 <\/strong><strong><em>Congress Dinner at Ath\u00e9n\u00e9e Palace Hilton Hotel (Str. Episcopiei no. 3) <\/em><\/strong><strong><em>with live music &#8211; Chromatic Quartet &#8211; being the side dish to dinner<\/em><\/strong><\/p>\n<h1>Friday, July 6th | Morning Session<\/h1>\n<h4>The Central University Library of Bucharest<\/h4>\n<p><strong><u>SESSION 10\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p>Chair: Paolo Francesco Romano<\/p>\n<h2>9.00<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>UTILIZATION OF LOW-TEMPERATURE PLASMA IN PRESERVATION OF CULTURAL HERITAGE<\/p>\n<p><u>Radovan Tin\u00f3<\/u>, Katar\u00edna Viz\u00e1rov\u00e1 and Milena Reh\u00e1kov\u00e1<\/p>\n<h2>9.30<\/h2>\n<h4>Key-note Lecture<\/h4>\n<p>UTILIZATION OF INNOVATIVE ANALYTICAL METHODS BASED ON ANALYTICAL PYROLYSIS TO INVESTIGATE MODERN MATERIALS IN ART AND DESIGN OBJECTS<\/p>\n<p>Francesca Modugno<\/p>\n<h2>9.55<\/h2>\n<p>TEMPERATURE- AND RH-INDUCED CHANGES IN MATERIALS RELATED TO ALUM-TREATED WOOD. A QUALITATIVE X-RAY DIFFRACTION STUDY<\/p>\n<p><u>Caitlin McQueen<\/u>, Calin C. Steindal and Susan Braovac<\/p>\n<h2>10.10<\/h2>\n<p>HISTORICAL FORMULATIONS OF LAC LAKE PIGMENTS AND DYES. A MASS SPECTROMETRIC STUDY OF THE COMPOSITIONAL VARIABILITY<\/p>\n<p><u>Sanne Berbers<\/u>, Joanne Dyer, Diego Tamburini and Maarten van Bommel<\/p>\n<h2>10.25<\/h2>\n<p>DYES AND BIOLOGICAL SOURCES IN 19TH-20TH CENTURY ETHNOGRAPHIC TEXTILES FROM TRANSYLVANIA, ROMANIA<\/p>\n<p><u>Irina Petroviciu<\/u>, Iulia Teodorescu, Florin Albu, Marian Virgolici, Eugenia Nagoda and Andrei Medvedovici<\/p>\n<h2>10.40<\/h2>\n<p>Discussion<\/p>\n<h2>10.50<\/h2>\n<p><em>Coffee Break<\/em><\/p>\n<h3><u>SESSION 11\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/h3>\n<p>Chair: Sorin Hermon<\/p>\n<h2>11.20<\/h2>\n<h4>Plenary Lecture<\/h4>\n<p>\u201cMICRO-ARCHEOLOGY\u201d OF ANCIENT MANUSCRIPTS: SMALL OBJECTS, BIG INFORMATION<\/p>\n<p><u>\u00a0<\/u><u>Flavia Pinzari<\/u> and Marina Bicchieri<\/p>\n<h2>11.50<\/h2>\n<h4>Key-note Lecture<\/h4>\n<p>BEASTS TO CRAFT: PARCHMENT MANUSCRIPTS AS A BIOLOGICAL ARCHIVE<\/p>\n<p><u>Matthew Collins<\/u>, Jiri Vnoucek, Matthew Teasdale, Sarah Fiddyment, Elodie Leveque, Anneliese Binois, Simon Hickinbotham and Jane Malcolm-Davies<\/p>\n<p>&nbsp;<\/p>\n<h2>12.15<\/h2>\n<p>WHAT IS BIOMIMETIC? AN APPROACH TOWARDS MATERIAL-COMPATIBLE CONSOLIDATION STRATEGIES FOR BONE<\/p>\n<p>Elisavet Nesseri, <u>Stamatis C. Boyatzis<\/u> and Georgios Panagiaris<\/p>\n<h2>12.30<\/h2>\n<p>IDENTIFICATION OF EGG-BASED TEMPERA PAINTINGS BY I<sub>G<\/sub>Y- AND OVA- ELECTROCHEMICAL IMMUNOSENSORS<\/p>\n<p><u>Chiara Gaetani<\/u>, Jana Sanyova, Paolo Ugo, Karolien de Wael and Ligia Maria Moretto<\/p>\n<h2>12.45<\/h2>\n<p>PROTEOMICS ANALYSES OF EGG BINDERS \u2013 DISTINGUISHING BETWEEN WHOLE EGG AND EGG YOLK TEMPERA<\/p>\n<p><u>Stepanka Kuckova<\/u>, Ursula Baumer and Patrick Dietemann<\/p>\n<h2>13:00<\/h2>\n<p>Discussion<\/p>\n<h2>13:10<\/h2>\n<p><em>Lunch<\/em><\/p>\n<h2>14:30<\/h2>\n<h4>STUDY VISITS TO MUSEUMS IN BUCHAREST<\/h4>\n<ol>\n<li>Romanian Academy Library<\/li>\n<li>National Museum of Art<\/li>\n<li>National Museum of Romanian History<\/li>\n<li>Bucharest Municipality Museum<\/li>\n<\/ol>\n<h1>Friday, July 6th | A ft ernoon Session<\/h1>\n<h4>Romanian Academy Library, Calea Victoriei no. 125 (or the entrance from Dacia Boulevard)<\/h4>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><u>SESSION 12\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p>Chair: Octaviana Marinca\u015f<\/p>\n<h4>European Research Infrastructure for Heritage Science E-RIHS<\/h4>\n<p><strong>16:00<\/strong><\/p>\n<p><strong>Plenary Lecture<\/strong><\/p>\n<p>INTRODUCTION TO E-RIHS, THE EUROPEAN RESEARCH INFRASTRUCTURE FOR HERITAGE SCIENCE<\/p>\n<p>Sorin Hermon<\/p>\n<h2>16:25<\/h2>\n<p>E-RIHS RO IN CULTURAL HERITAGE SCIENCE RESULTS VALORISATION<\/p>\n<p>Roxana R\u0103dvan<\/p>\n<h2>16:35<\/h2>\n<p>THE IFIN-HH PARTICIPATION TO A ROMANIAN HUB OF E-RIHS<\/p>\n<p>Livius Trache<\/p>\n<h2>16:45<\/h2>\n<p>Discussion<\/p>\n<h2>17:00<\/h2>\n<h4>Awards offered by PROUD TO BE ROMANIAN &amp; i-CON Association Final remarks<\/h4>\n<p><strong>FILM &amp; BOOK<\/strong><\/p>\n<p>Chair: Gabriela Dumitrescu &amp; Ioan Cristescu<\/p>\n<h2>17:30<\/h2>\n<h4>Launching of the Romanian edition of \u201cArchimedes. The lost codex\u201d videobook<\/h4>\n<p><strong>17:45<\/strong><\/p>\n<p><strong>Documentary \u201cArchimedes. The lost codex\u201d<\/strong><\/p>\n<p>Film introduction by Vittorio Muscia, Director, Giuseppina Mirabella, Executive Producer and Fabrizio Muscia, Creative Producer<\/p>\n<p>Moderator: Irina Margareta Nistor, Film critic<\/p>\n<h2>20:30<\/h2>\n<h4>Farewell cocktail at <em>Concerto <\/em>Restaurant, Grand Hotel Continental (Calea Victoriei no. 56) with Jazz Quartet Tiberian entertainment<\/h4>\n<h1>Saturday, July 7th<\/h1>\n<h2>9:00-18:00<\/h2>\n<h4>Day trip to Sinaia and visit to Pele\u015f National Museum<\/h4>\n<p>*<\/p>\n<p><strong>EXHIBITIONS (POSTER session, TRADE and PUBLISHERS exhibition) will run alongside the conference and will <\/strong><strong>be held in adjoining areas to guarantee maximum exposure to delegates.<\/strong><\/p>\n<p><strong>Poster Exhibition will be held on 4<\/strong><strong>th <\/strong><strong>and 5<\/strong><strong>th <\/strong><strong>July in the Carol I Hall, while the trade fair will be held in the entrance hall of the Aula.<\/strong><\/p>\n<p><strong>Coffee breaks and lunches will be served in Dacia Hall.<\/strong><\/p>\n<p><strong>The Congress social events will be illustrated by the well-known Romanian cartoonist \u015etefan Popa Popa\u2019s. <\/strong><strong>The Congress works,cultural and social activities will be filmed by PROUD TO BE ROMANIAN.<\/strong><\/p>\n<p><strong><u>POSTER SESSION\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h4>P.01<\/h4>\n<p>JAN STEEN&#8217;S GROUND LAYERS ANALYSED WITH PRINCIPAL COMPONENT ANALYSIS<\/p>\n<p>Marya Albrecht, Sabrina Meloni, <u>Annelies van Loon<\/u>, Ralph Haswell and Onno de Noord<\/p>\n<h4>P.02<\/h4>\n<p>IMAGING AND NON-INVASIVE ANALYTICAL TECHNIQUES FOR INVESTIGATION OF MEDIEVAL ARTWORKS<\/p>\n<p><u>V\u00e1clava Antu\u0161kov\u00e1<\/u>, Radka \u0160efc\u016f, \u0160t\u011bp\u00e1nka Chlumsk\u00e1, Daniel Vav\u0159\u00edk and Ivana Kumpov\u00e1<\/p>\n<h4>P.03<\/h4>\n<p>A STUDY OF THE EFFECT OF THREE COMMERCIAL CLEANING PRODUCTS ON SHELLAC-COATED MAHOGANY<\/p>\n<p><u>Ingrid Fitje Apneseth<\/u> and Francesco Caruso<\/p>\n<h4>P.04<\/h4>\n<p>THE EFFECT OF SILICON SOLVENT ON ACRYLIC EMULSION PAINT FILM<\/p>\n<p>Aude Richard<\/p>\n<h4>P.05<\/h4>\n<p>IN-SITU CHARACTERISATION OF PARCHMENT DOCUMENTS ISSUED BY THE ROYAL CHANCELLERY OF STEPHEN THE GREAT (1457\u20131504)<\/p>\n<p><u>Cristina Car\u015fote<\/u>, Claudiu Sendrea, Elena Badea, Lucre\u0163ia Miu and Irina Petroviciu<\/p>\n<h4>P.06<\/h4>\n<p>THE APPLICATION OF GROUND PENETRATING RADAR ON INVESTIGATION OF LARGE SCALE CLAY SCULPTURE<\/p>\n<p><u>Ke Bai<\/u> and Linyan Ma<\/p>\n<h4>P.07<\/h4>\n<p>A MULTI ANALYTICAL APPROACH FOR THE STUDY OF STONE TESSERAE FROM SINOP BALATLAR CHURCH, TURKEY<\/p>\n<p><u>Meric Bakiler<\/u>, Ozden Ormanci Ozturk and Gulgun Koroglu<\/p>\n<h4>P.08<\/h4>\n<p>A NEW EFFECTIVE APPROACH TO ASSESS THE DEGRADATION OF HISTORICAL AND ARCHAELOGICAL LEATHER<\/p>\n<p><u>Claudiu \u015eendrea<\/u>, Cristina Car\u015fote, Elena Badea and Noemi Proietti<\/p>\n<h4>P.09<\/h4>\n<p>BYZANTINE POTTERY FROM THE LOWER DANUBE \u2013 AN ARCHAEOMETRIC STUDY<\/p>\n<p><u>Roxana Bugoi<\/u>, Cristina Talma\u0163chi, Constantin Hait\u01ce and Daniele Ceccato<\/p>\n<h4>P.10<\/h4>\n<p>UNDERSTANDING THE CHA\u00ceNE OP\u00c9RATOIRE OF ENEOLITHIC POTTERY USING EXPERIMENTAL ARCHEOLOGY AND IMAGING METHODS<\/p>\n<p><u>Roxana Bugoi<\/u>, Theodor Ignat, C\u0103t\u0103lin Laz\u0103r and Florin Constantin<\/p>\n<h4>P.11<\/h4>\n<p>MA-XRF IMAGING OF EGYPTIAN PAINTINGS AT THE MUSEO EGIZIO IN TURIN (ITALY)<\/p>\n<p><u>Claudia Caliri<\/u>, Enrico Ferraris, Giulia Festa and Francesco Paolo Romano<\/p>\n<h4>P.12<\/h4>\n<p>CHEMICAL FINGERPRINT OF HARRIET BACKER\u2019S ORIGINAL PAINT TUBES<\/p>\n<p><u>Francesco Caruso<\/u>, Sara Mantellato and Tine Fr\u00f8ysaker<\/p>\n<h4>P.13<\/h4>\n<p>20th CENTURY IRANIAN CARPETS: INVESTIGATION OF RED DYE MOLECULES AND STUDY OF TRADITIONAL MADDER DYEING TECHNIQUES<\/p>\n<p><u>Zohreh Chahardoli<\/u>, Z. Vanden Berghe and Rocco Mazzeo<\/p>\n<h4>P.14<\/h4>\n<p>THE REDUCTION OF LINSEED OIL TO UNDERSTAND THE HYDROLYSIS EFFECT ON THE DRYING PROCESS OF THE OIL BINDER IN PAINTINGS<\/p>\n<p><u>L<\/u><u>ouis<\/u><u>e<\/u> <u>Chassouant<\/u>, Lambert Baij, Joen J. Hermans, Katrien Keune and Piet D. Iedema<\/p>\n<h4>P.15<\/h4>\n<p>MICRO-INVESTIGATION OF HAZE AND CHEMICAL DEGRADATION ON BURMESE PAINTED ZINC SUPPORTS<\/p>\n<p>Lynn Chua<\/p>\n<h4>P.16<\/h4>\n<p>SPECTRAL AND MICROSCOPIC ANALYSIS OF COLLAGEN MATERIALS TREATED WITH LOW-TEMPERATURE ATMOSPHERIC PLASMA<\/p>\n<p><u>Katar\u00edna \u010c\u00ed\u017eov\u00e1<\/u>, Izabela Vajov\u00e1, Katar\u00edna Haberov\u00e1, Ter\u00e9zia Stredansk\u00e1 and Radko Ti\u0148o<\/p>\n<h4>P.17<\/h4>\n<p>IDENTIFICATION OF METAL CARBOXYLATES IN PAINT LAYERS BY RAMAN AND INFRARED SPECTROSCOPY: EVIDENCE OF LEAD AZELATE IN SOAPS<\/p>\n<p><u>Alexia Coudray<\/u> and Jana Sanyova<\/p>\n<h4>P.18<\/h4>\n<p>NATURAL AGEING EFFECT ON HYDROTHERMAL STABILITY OF PARCHMENT AND LEATHER<\/p>\n<p><u>Andrei Cucos<\/u> and Petru Budrugeac<\/p>\n<h4>P.19<\/h4>\n<p>INVESTIGATING SYNTHETIC POLYMERS IN HERITAGE OBJECTS: A MULTI-ANALYTICAL APPROACH FOR THE STUDY OF POLYURETHANE FOAMS IN 1960s SCULPTURES<\/p>\n<p>Jacopo La Nasa, Francesca Sabatini, Greta Biale, <u>Ilaria Degano<\/u> and Francesca Modugno<\/p>\n<h4>P.20<\/h4>\n<p>HALLOYSITE CLAY NANOTUBES AS CONSOLIDANTS FOR HISTORICAL VEGETABLE-TANNED AND ALUM-TAWED LEATHER<\/p>\n<p><u>Emanuel Had\u00eembu<\/u>, Elena Badea, Cristina Car\u015fote and Lucre\u0163ia Miu<\/p>\n<h4>P.21<\/h4>\n<p>INFLUENCE OF ACRYLIC COATINGS AND NANOMATERIALS ON THE INTERFACIAL, PHYSICAL AND MECHANICAL PROPERTIES OF LIMESTONE-BASED MONUMENTS \u201cAMENEMHAT II TEMPLE AS A CASE STUDY-EGYPT\u201d<\/p>\n<p>Abo El-Magd, M., <u>El-Gohary, M<\/u>., Gharib, A. and Farghali, A<strong>.<\/strong><\/p>\n<h4>P.22<\/h4>\n<p>NON-DESTRUCTIVE METHOD OF PIGMENTS AND DYES IDENTIFICATION<\/p>\n<p>Eli\u0161ka Jindrov\u00e1<\/p>\n<h4>P.23<\/h4>\n<p>MORPHOLOGICAL AND CHEMICAL CHARACTERIZATION OF TWO 19THCENTURY TINTYPES<\/p>\n<ol>\n<li>Costa, Margarida Nunes, Catarina Miguel and <u>Teresa Ferreira<\/u><\/li>\n<\/ol>\n<h4>P.24<\/h4>\n<p>ANALYTICAL STUDIES ON GELATINE DRY PLATE NEGATIVES<\/p>\n<p>Margarida Nunes, Miguel Santos, Evan Maingi, Catarina Miguel and <u>Teresa Ferreira<\/u><\/p>\n<h4>P.25<\/h4>\n<p>THE EVALUATION OF HANDHELD FTIR SPECTROSCOPY AS A NON-INVASIVE SCREENING METHOD FOR THE IDENTIFICATION OF VARNISHES IN PAINTINGS BY EDVARD MUNCH<\/p>\n<p>Thierry Ford<\/p>\n<h4>P.26<\/h4>\n<p>STUDY OF THE REACTIVITY OF Pb- AND Zn-BASED PIGMENTS IN OILS IN VARIOUS ATMOSPHERIC CONDITIONS<\/p>\n<p><u>Silvia Garrappa<\/u>, Silvie \u0160varcov\u00e1, Eva Ko\u010d\u00ed, Ji\u0159\u00ed Plocek, Petr Bezdi\u010dka and David Hradil<\/p>\n<h4>P.27<\/h4>\n<p>MULTIANALYTICAL APPROACHES FOR CHARACTERIZATION OF SALT AND OTHER WEATHERING PRODUCTS IN STAVANGER CATHEDRAL, NORWAY<\/p>\n<p>Kidane Fanta Gebremariam<\/p>\n<h4>P.28<\/h4>\n<p>QUESTIONS AND ANSWERS CONCERNING A VALUABLE PEWTER OBJECTS COLLECTION<\/p>\n<p><u>M\u00e1rta Guttmann<\/u> and Gheorghina Olariu<\/p>\n<h4>P.29<\/h4>\n<p>ELECTROCHEMICAL NOISE APPLIED TO THE CHARACTERIZATION OF DEGRADATION STATE OF AN ARCHAEOLOGICAL COPPER ALLOY<\/p>\n<p><u>R<\/u><u>af<\/u><u>ae<\/u><u>l<\/u> <u>Gonz\u00e1le<\/u><u>z<\/u><u>-P<\/u><u>arr<\/u><u>a<\/u>, J. Barrio, A. Covelo and M.Hern\u00e1ndez<\/p>\n<h4>P.30<\/h4>\n<p>POTTERY CLAYS IN BAROQUE PAINTINGS: A QUESTION OF MATERIAL\u2019S IDENTITY<\/p>\n<p><u>David Hradil<\/u>, Janka Hradilov\u00e1, Petr Bezdi\u010dka, Katar\u00edna Holcov\u00e1 and Eva Posp\u00ed\u0161ilov\u00e1<\/p>\n<h4>P.31<\/h4>\n<p>DEGRADATION PRODUCTS ASSESSMENT OF THE WOODEN PAINTED SURFACES IN HERITAGE ARTIFACTS<\/p>\n<p><u>Rodica-Mariana Ion<\/u>, Lorena Iancu, Ramona Marina Grigorescu, Sofia Teodorescu, Raluca-Maria \u015etirbescu, Ioan Alin Bucuric\u0103 and Oana Daniela Dulam\u0103<\/p>\n<h4>P.32<\/h4>\n<p>WATER-ROCK INTERACTION IN THE WEATHERING PROCESS OF THE YUNGANG GROTTOES<\/p>\n<p><u>Jizhong Huang<\/u>, Qiang Li and Pengwei Zhao<\/p>\n<h4>P.33<\/h4>\n<p>ADVANCED DIGITAL PLATFORM FOR MULTIDICIPLINARY CHARACTERIZATION OF A CULTURAL LANDSCAPE. RUPESTRAL MONUMENTS FROM BUZ\u0102U MOUNTAINS<\/p>\n<p><u>Anghelu\u021b\u0103 Lauren\u021biu-Marian<\/u>, Ratoiu Lucian, Chelmu\u0219 Alexandru and Petculescu Alexandru<\/p>\n<p>&nbsp;<\/p>\n<h4>P.34<\/h4>\n<p>A SYSTEMATIC EVALUATION OF THE PYMCA SOFTWARE FOR THE XRF QUANTIFICATION OF CULTURAL HERITAGE MATERIALS<\/p>\n<p>Maria Kontimpa, Vasiliki Kantarelou, Dimitra Papadopoulou, Eleni Kokiasmenou, Francesco Paolo Romano and <u>Andreas Germanos Karydas<\/u><\/p>\n<h4>P.35<\/h4>\n<p>USE OF THE DIFFERENT BIO-SURFACTANTS FOR DE-RESTORATION AND CLEANING OF DETACHED WALL PAINING<\/p>\n<p><u>Nana Khuskivadze<\/u> and Gia Khatisashvili<\/p>\n<h4>P.36<\/h4>\n<p>PHYSICAL CHEMICAL STUDIES OF DETERIORATED WOOD CONSOLIDATED THROUGH GAMMA RADIATION RESIN CURING<\/p>\n<p>Silvana Vasilca, Elena Pincu, Petruta Oancea, Adina Raducan, Otilia Cinteza, Mihalis Cutrubinis, Andreea Michescu, Valentin Moise and <u>Ioana Stanculescu<\/u><\/p>\n<h4>P.37<\/h4>\n<p>THE TEMPLE OF ATHENA IN THE ACROPOLIS OF LINDOS (GREECE): STUDY AND CONSERVATION OF THE BUILDING MATERIAL<\/p>\n<p>Kelly Kouzeli<\/p>\n<h4>P.38<\/h4>\n<p>RUNGE\u2019S COLOURS: INVESTIGATION OF SAMPLES OF CHEMICAL COMPOUNDS IN A 19TH CENTURY CHEMISTRY TEXT BOOK<\/p>\n<p>Hartmut Kutzke<\/p>\n<h4>P.39<\/h4>\n<p>STUDY OF AN UNIDENTIFIED WHITE LAYER ON PARTS OF HOPPERSTAD STAVE CHURCH<\/p>\n<p><u>Marit Lehne<\/u>, Sara Mantellato, Asel Maria Aguilar Sanchez and Francesco Caruso<\/p>\n<h4>P.40<\/h4>\n<p>THE ROBUSTNESS AND EXPECTED GENERALISATION ERRORS OF NIR SPECTROSCOPY FOR MODELLING THE DEGREE OF POLYMERISATION OF CELLULOSE<\/p>\n<p><u>Yun Liu<\/u> and Matija Strlic<\/p>\n<h4>P.41<\/h4>\n<p>SPECTRAL ANALYSIS OF INKS<\/p>\n<p>Luric Bogdan Niculae Stoencea, <u>Ioana Lavinia Ardelean<\/u>, Denisa Ficai, Anton Ficai, Ovidiu Oprea, Dragos Gudovan and Ecaterina Andronescu<\/p>\n<h4>P.42<\/h4>\n<p>E-RIHS.PL THE POLISH RESEARCH INFRASTRUCTURE FOR CULTURAL HERITAGE. THE TRANS-DISCIPLINARY STUDIES OF THE PAINTING MADONNA DEL VELO &#8211; THE COPY OF RAPHAEL&#8217;S ARTWORKS<\/p>\n<p>Monika Czarnecka, Wiktor Lasota, El\u017cbieta Modzelewska and <u>Barbara \u0141yd\u017cba-Kopczy\u0144ska<\/u><\/p>\n<h4>P.43<\/h4>\n<p>CHARACTERIZATION OF TECHNOLOGY FROM FOUR (4) PANEL PAINTINGS OF HIEROMONK DIONYSIUS FROM FOURNA, AUTHOR OF \u201cHERMENEIA OF THE PAINTING ART\u201d AND COMPARISON WITH HIS MANUSCRIPT. PRELIMINARY RESULTS<\/p>\n<p><u>Thomas Mafredas<\/u>, Stamatis Boyatzis, Nikos Zacharias and Eleni Kouloumpi<\/p>\n<h4>P.44<\/h4>\n<p>BLACK CRUSTS AS NATURAL PASSIVE SAMPLERS FOR THE CHARACTERIZATION OF ACTUAL AND PAST ATMOSPHERIC METAL POLLUTION<\/p>\n<p><u>Cristina Garc\u00eda-Florentino<\/u>, Maite Maguregui, Chiara Ciantelli, Alessandra Bonazza, Claudio Natali, H\u00e9ctor Morillas and Juan Manuel Madariaga<\/p>\n<h4>P. 45<\/h4>\n<p>AN ARCHAEOMETRICAL APPROACH TO THE MAJOLICA POTTERY FROM ALCAZAR DE NAJERA ARCHAEOLOGICAL SITE<\/p>\n<p><u>Estefania Calparsoro<\/u>, Uxue S. Garmendia, Javier Ceniceros, Maite Maguregui and Javier I\u00f1a\u00f1ez<\/p>\n<h4>P.46<\/h4>\n<p>IN SITU ELEMENTAL AND MOLECULAR SPECTROSCOPIC CHARACTERIZATION OF THE MATRIX AND PICTORIAL LAYER OF POMPEIAN MOSAICS<\/p>\n<p><u>Iker Marcaida<\/u>, Maite Maguregui, H\u00e9ctor Morillas, Marco Veneranda, Nagore Prieto-Taboada,<\/p>\n<p>Silvia Fern\u00e1ndez-Ortiz de Vallejuelo, Juan Manuel Madariaga, Alberta Martellone, Bruno De Nigris and Massimo Osanna<\/p>\n<h4>P.47<\/h4>\n<p>AUTENTIFICATION PROTOCOL BY IDENTIFYING THE TECHNIQUES AND MATERIALS USED IN THE CREATIVE PROCESS. EXAMPLES OF: \u2018ECCE HOMO\u2019 ASSIGNED TO GUIDO RENI, \u2018YOUNG WOMAN READING\u2019 ASSIGNED TO STEFAN LUCHIAN AND \u2018HEAD OF YOUNG GIRL\u2019 ASSIGNED TO NICOLAE GRIGORESCU<\/p>\n<p><u>Maria Marinescu<\/u>, Ana Emandi and Silviu Vulpe<\/p>\n<h4>P.48<\/h4>\n<p>FTIR SPECTRA OF PRESERVATION PAPER DOCUMENTS<\/p>\n<p><u>Viera Maz\u00edkov\u00e1<\/u>, Ondrej H\u00edre\u0161 and Zuzana Kore\u0148ov\u00e1<\/p>\n<h4>P.49<\/h4>\n<p>RESEARCH ON TEMPERA PAINTING MATERIAL IDENTIFICATION FOR 18C. ROMANIAN WOODEN ARTEFACTS<\/p>\n<p><u>Andreea Michescu<\/u>, T. Guiblain, F.Lelong, S. Champdavoine, K. Froment and I.Stanculescu<\/p>\n<h4>P.50<\/h4>\n<p>ORGANIC MATERIALS IN TEMPERA PAINTING TECHNIQUE OF MURAL DECORATIONS IN ROMANIAN 18C. WOODEN CHURCHES<\/p>\n<p><u>Andreea Michescu<\/u> and Ioana Stanculescu<\/p>\n<h4>P.51<\/h4>\n<p>THE CATALYSING EFFECT OF ALUM IN DEGRADATION PROCESSES OF CARBOHYDRATES IN ARCHAEOLOGICAL WOOD<\/p>\n<p>J.J. Lucejko, S. Braovac, C.M.A. McQueen, M. P. Colombini and <u>F<\/u><u>.<\/u> <u>Modugno<\/u><\/p>\n<h4>P.52<\/h4>\n<p>PRESERVATION OF HISTORICAL LEAD SEALS<\/p>\n<p><u>Sarka Msallamova<\/u>, Milan Kouril, Kristyna Charllote Strachotova and Jan Stoulil<\/p>\n<h4>P.53<\/h4>\n<p>CHARACTERIZATION OF MATERIALS IN 19th CENTURY \u015e\u0130LE AND HORA LIGHTHOUSES, TURKEY<\/p>\n<p><u>Ozden Ormanci Ozturk<\/u>, Meric Bakiler and Sedat Kurugol<\/p>\n<h4>P.54<\/h4>\n<p>INVESTIGATIONS OF THE POTENTIAL ANIMAL SOURCE OF INDIAN YELLOW<\/p>\n<p><u>Rebecca Ploeger<\/u>, Aaron Shugar, Greg Smith, Victor Chen, Charity Owings and Christine J Picard<\/p>\n<h4>P.55<\/h4>\n<p>POSSIBILITY OF CLEANING OF TEXTILE HERITAGE OBJECTS WITH LOW TEMPERATURE ATMOSPHERIC PLASMA (LTAP) TREATMENT<\/p>\n<p><u>Milena Reh\u00e1kov\u00e1<\/u>, Katar\u00edna Viz\u00e1rov\u00e1, Patr\u00edcia Kl\u00f6cklerov\u00e1, Katar\u00edna \u010c\u00ed\u017eov\u00e1 and Danica Stojkovi\u010dov\u00e1<\/p>\n<h4>P.56<\/h4>\n<p>MOLECULAR DYNAMICS INVESTIGATION ON STRUCTURAL AND DYNAMIC PROPERTIES OF CELLULOSE DURING THE MECHANICAL FRACTURING<\/p>\n<p>Viorel Chihaia, Ioan Valentin Moise and <u>Ioana Stanculescu<\/u><\/p>\n<h4>P.57<\/h4>\n<p>THE ICONS \u201cHOLY TRINITY CORONATION OF THE VIRGIN MARY\u201d: WALACHIA, 18th CENTURY AND TRANSYLVANIA, 19th CENTURY: A COMPARATIVE STUDY<\/p>\n<p><u>Dorina Claudia Samoilescu (Sister Serafima<\/u>), Octavian G. Duliu, Maria Mihaela Manea, Bogdan Constantinescu and Daniela Stan<\/p>\n<h4>P.58<\/h4>\n<p>RADIOCARBON DATING OF SPECIAL MATERIALS AT ROAMS LABORATORY<\/p>\n<p><u>Gabriela Sava<\/u>, Alfred Ionut Vespremeanu-Stroe, Tiberiu Sava, Christina Margariti and Cristian M\u0103n\u0103ilescu<\/p>\n<h4>P.59<\/h4>\n<p>RADIOCARBON DATING OF SOME PAINTINGS AT THE ROAMS LABORATORY; MULTIDISCIPLINARY STUDIES ON THE NATURE OF THE CANVAS<\/p>\n<p><u>Corina Anca Simion<\/u>, Maria Mihaela Cozac (Manea), Nicoleta Mihaela Florea, Oana Gaza, Iuliana Madalina Stanciu, Tiberiu Bogdan Sava, Doru Gheorghe Pacesila, Maria Valentina Ilie, Cristian Manailescu, Ioana Stanculescu and Andrei Robu<\/p>\n<h4>P.60<\/h4>\n<p>CHARACTERISATION OF THE ARTISTS&#8217; PIGMENTS ZINC YELLOW AND THE RARE CADMIUM LEMON YELLOW<\/p>\n<p><u>Kim Pilkj\u00e6r Simonsen<\/u>, Marie Bitsch Christiansen, Jana Sanyova, Mikkel Agerb\u00e6k S\u00f8rensen, Morten Gotthold Vinum and Jesper Bendix<\/p>\n<h4>P.61<\/h4>\n<p>THE EFFECT OF SILANE TREATMENT ON LABORATORY DEGRADED WOOD. PRELIMINARY RESULTS<\/p>\n<p><u>Calin C. Steindal<\/u> and Susan Braovac<\/p>\n<h4>P.62<\/h4>\n<p>INTERDISCIPLINARY CONSERVATION ISSUES OF THE MOBILE ALTAR<\/p>\n<p><u>Danuta St\u0119pie\u0144<\/u> and Marlena Koczorowska<\/p>\n<h4>P.63<\/h4>\n<p>MAKE IT DIRTY! SIMULATING PHYSICAL AND CHEMICAL CHANGES IN MOCK-UPS FOR THE CLEANING OF UNVARNSHED OIL PAINTINGS BY E. MUNCH<\/p>\n<p><u>Lena Porsmo Stoveland<\/u>, Bronwyn Ormsby and Francesco Caruso<\/p>\n<h4>P.64<\/h4>\n<p>CORROSION AND PROTECTION OF HISTORICAL LEAD BULLS IN THE PRESENCE OF ACETIC ACID<\/p>\n<p><u>Krist\u00fdna Charlotte Strachotov\u00e1<\/u>, Milan Kou\u0159il, \u0160\u00e1rka Msallamov\u00e1, Kl\u00e1ra Kuch\u0165\u00e1kov\u00e1 and Martina Valentov\u00e1<\/p>\n<h4>P.65<\/h4>\n<p>MULTI-SPECTRAL IMAGING OF METAL-GALL INKS IN ROMANIAN MANUSCRIPTS\/ UNLIMITED POSSIBILITIES IN CONSERVATION SCIENCES<\/p>\n<p><u>Marta Ursescu<\/u>, Ioan Remus Popa and Matei Bejenaru<\/p>\n<h4>P.66<\/h4>\n<p>MICROBIAL DECONTAMINATION OF PAPER WITH LOW-TEMPERATURE ATMOSPHERIC PLASMA<\/p>\n<p><u>Katar\u00edna Viz\u00e1rov\u00e1<\/u>, Barbora Kali\u0148\u00e1kov\u00e1, Izabela Vajov\u00e1, Radko Ti\u0148o, Filip Hajdu, Zuzana \u0160pac\u00edrov\u00e1 and Nina Lal\u00edkov\u00e1<\/p>\n<h4>P.67<\/h4>\n<p>CHEMICAL-TECHNOLOGICAL RESEARCH AND RADIOCARBON AMS DATING OF FRESCOES FRAGMENTS FROM THE RUINS OF THE 12th -13th CENTURIES CHURCH FROM ARCHAEOLOGICAL EXCAVATIONS IN THE CITY OF SMOLENSK IN RUSSIA<\/p>\n<p><u>Konstantin Voronin<\/u> and Mariya Kabanova<\/p>\n<h4>P.68<\/h4>\n<p>THE STUDY OF PAINTING OF THE MOSCOW CARVED LIMESTONE TOMB OF PRINCESS ANNA PROZOROVSKII 1676<\/p>\n<p><u>Konstantin Voronin<\/u> and Mariya Kabanova<\/p>\n<h4>P.69<\/h4>\n<p>USE ATR-FTIR AS METHOD OF ASSESSMENT OF LEATHER ACID HYDROLYSIS AND PHOTOOXIDATION<\/p>\n<p><u>Gabriela Vysko\u010dilov\u00e1<\/u> and Richard \u0160ev\u010d\u00edk<\/p>\n<h4>P.70<\/h4>\n<p>EVALUATION OF THE RESTORATION INTERVENTION ON JAN MASSYS\u2019S PAINTING<\/p>\n<p><u>Roxana R\u0103dvan<\/u>, Ratoiu Lucian, Ioana Maria Cortea, Chelmu\u0219 Alexandru, Lauren\u021biu Marian Anghelu\u021ba and Delia Marinescu<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>PROGRAMME \u00a0 Tuesday, July 3 rd The National Museum of Romanian Literature, Str. Nicolae Cre\u0163ulescu no. 8 (behind the White&#8230;<\/p>","protected":false},"author":1,"featured_media":6126,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/6125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/comments?post=6125"}],"version-history":[{"count":4,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/6125\/revisions"}],"predecessor-version":[{"id":6137,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/posts\/6125\/revisions\/6137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media\/6126"}],"wp:attachment":[{"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/media?parent=6125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/categories?post=6125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnlr.ro\/en\/wp-json\/wp\/v2\/tags?post=6125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}